
New Menil exhibition creates dialogues between past, present surrealist works
The Menil Collection’s “Photography and the Surreal Imagination” is a work of profound audacity, and is better for it. The exhibition, held in a single, large room bisected by a central wall, sets out to form a retrospective of surreal photography over a time period spanning from 1920 to today. The result is cramped and creative, displayed in a manner that seeks to draw big-picture linkages between eras and holds only lightly to chronology.