Moses Glickman

A&E 4/16/19 9:17pm

Rice Public Art brings alternative birdsongs

By Moses Glickman

Nina Katchadourian’s Please, Please, Pleased to Meet’cha, a temporary art exhibition occurring under the auspices of Rice Public Art, is a tad more unconventional than other site-specific art pieces.

OPINION 4/2/19 11:25pm

Leebron’s rhetoric at odds with nature of Pence invitation

By Moses Glickman and Lila Greiner

This Friday, will Rice President David Leebron pose for a photo with the vice president of the United States, or will he stand outside with his students? Leebron has articulated a broad set of Rice’s values, but Mike Pence’s record contrasts sharply with that set of values.

A&E 4/2/19 10:26pm

‘Inside’ transforms Inferno into an intimate womb

By Moses Glickman

Across the Sewall courtyard, “Inside,” a piece by architecture student Belle Carroll, appears deeply surreal, interrupting the brick and metal grating of the exterior wall with an emanation of pink light.

A&E 2/23/19 4:04pm

‘Picasso at the Lapin Agile:’ a fictional dialogue between Picasso and Einstein

By Moses Glickman

In 1904, before the dawn of their fame, Pablo Picasso and Albert Einstein meet in a crowded Paris bar and start arguing. Thus begins Picasso at the Lapin Agile, an absurdist comedy being put on by the Rice Theatre Department.

OPINION 2/12/19 10:40pm

Despite available funding, Rice’s House Rep Crenshaw won’t pay interns

By Moses Glickman , Josh Bochner and Audrey Cabay

Rep. Dan Crenshaw (R, TX-2) won’t pay his interns — and it’s because he thinks they are unworthy of pay.

A&E 1/29/19 9:54pm

‘Step and Screw!’ brings fresh comics to the Menil

By Moses Glickman

The last six panels of the comic are painted large on the walls of the side-gallery. In the center of the room is a small chamber, the entrance (or, as Hancock has playfully scrawled, “In Trent’s”) of which faces away from the gallery’s door; a sort of inner sanctum, it contains the comic’s other thirty-nine panels.

A&E 1/22/19 9:24pm

CAMH brings chaos, intrigue with Cheryl Donegans ‘’GRLZ + VEILS’

By Moses Glickman

Cheryl Donegan’s first American painting exhibition, “GRLZ + VEILS,” is currently showing at the Contemporary Arts Museum of Houston, and you don’t want to miss it.

A&E 1/8/19 9:55pm

‘Celebrate Doilies’ brings nostalgia to the Jung Center

By Moses Glickman

The Jung Center, nestled next to the Contemporary Arts Museum Houston, is a Museum District gallery founded to promote the ideas of Freud disciple and psychotherapeutic giant Carl Jung.

A&E 11/16/18 4:26pm

‘Yukon Breakfast’ offers a humane lens to ‘Frankenstein’

By Moses Glickman

The play, produced by, directed by and starring Rice students, gained a full production after winning the Rice Players’ first-ever Playwriting Competition. (The Rice Players gave stage readings of two runner-ups, Kevin Mullin’s “Have You Seen My Cactus?” and Elsa Schieffelin’s “The History of Flight,” during the Rice Playfest from Nov. 9 to 10.)

A&E 10/31/18 12:18am

‘Dimensions Variable’ provides another angle

By Moses Glickman

The performance art show “Dimensions Variable” was held Oct. 27 in Matthew Ritchie's “The Demon in the Diagram,” a sprawling exhibition currently occupying the entirety of two galleries in the Moody Center for the Arts. The 40-minute piece, produced by the Hope Mohr Dance troupe and composer Evan Ziporyn, was intended to use dance to elaborate on the message of Ritchie's piece.

Moses Glickman

Rice Public Art brings alternative birdsongs

Leebron’s rhetoric at odds with nature of Pence invitation

‘Inside’ transforms Inferno into an intimate womb

‘Picasso at the Lapin Agile:’ a fictional dialogue between Picasso and Einstein

Despite available funding, Rice’s House Rep Crenshaw won’t pay interns

‘Step and Screw!’ brings fresh comics to the Menil

CAMH brings chaos, intrigue with Cheryl Donegans ‘’GRLZ + VEILS’

‘Celebrate Doilies’ brings nostalgia to the Jung Center

‘Yukon Breakfast’ offers a humane lens to ‘Frankenstein’

‘Dimensions Variable’ provides another angle

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