Moses Glickman

OPINION 3/24/20 5:02pm

Letter to the editor: Why we also don't want to be Republicans

By Moses Glickman and Lila Greiner

Recently, Noah Fons wrote an opinion saying that sometimes he doesn’t want to be a Republican. We get it — we don’t want to be Republicans either. The author wrote that he isn’t racist, he believes in climate change and he doesn’t want a border wall.

A&E 2/25/20 9:57pm

New Menil exhibition creates dialogues between past, present surrealist works

By Moses Glickman

The Menil Collection’s “Photography and the Surreal Imagination” is a work of profound audacity, and is better for it. The exhibition, held in a single, large room bisected by a central wall, sets out to form a retrospective of surreal photography over a time period spanning from 1920 to today. The result is cramped and creative, displayed in a manner that seeks to draw big-picture linkages between eras and holds only lightly to chronology.

A&E 4/16/19 9:17pm

Rice Public Art brings alternative birdsongs

By Moses Glickman

Nina Katchadourian’s Please, Please, Pleased to Meet’cha, a temporary art exhibition occurring under the auspices of Rice Public Art, is a tad more unconventional than other site-specific art pieces.

OPINION 4/2/19 11:25pm

Leebron’s rhetoric at odds with nature of Pence invitation

By Moses Glickman and Lila Greiner

This Friday, will Rice President David Leebron pose for a photo with the vice president of the United States, or will he stand outside with his students? Leebron has articulated a broad set of Rice’s values, but Mike Pence’s record contrasts sharply with that set of values.

A&E 4/2/19 10:26pm

‘Inside’ transforms Inferno into an intimate womb

By Moses Glickman

Across the Sewall courtyard, “Inside,” a piece by architecture student Belle Carroll, appears deeply surreal, interrupting the brick and metal grating of the exterior wall with an emanation of pink light.

A&E 2/23/19 4:04pm

‘Picasso at the Lapin Agile:’ a fictional dialogue between Picasso and Einstein

By Moses Glickman

In 1904, before the dawn of their fame, Pablo Picasso and Albert Einstein meet in a crowded Paris bar and start arguing. Thus begins Picasso at the Lapin Agile, an absurdist comedy being put on by the Rice Theatre Department.

OPINION 2/12/19 10:40pm

Despite available funding, Rice’s House Rep Crenshaw won’t pay interns

By Moses Glickman , Josh Bochner and Audrey Cabay

Rep. Dan Crenshaw (R, TX-2) won’t pay his interns — and it’s because he thinks they are unworthy of pay.

A&E 1/29/19 9:54pm

‘Step and Screw!’ brings fresh comics to the Menil

By Moses Glickman

The last six panels of the comic are painted large on the walls of the side-gallery. In the center of the room is a small chamber, the entrance (or, as Hancock has playfully scrawled, “In Trent’s”) of which faces away from the gallery’s door; a sort of inner sanctum, it contains the comic’s other thirty-nine panels.

A&E 1/22/19 9:24pm

CAMH brings chaos, intrigue with Cheryl Donegans ‘’GRLZ + VEILS’

By Moses Glickman

Cheryl Donegan’s first American painting exhibition, “GRLZ + VEILS,” is currently showing at the Contemporary Arts Museum of Houston, and you don’t want to miss it.

A&E 1/8/19 9:55pm

‘Celebrate Doilies’ brings nostalgia to the Jung Center

By Moses Glickman

The Jung Center, nestled next to the Contemporary Arts Museum Houston, is a Museum District gallery founded to promote the ideas of Freud disciple and psychotherapeutic giant Carl Jung.

Moses Glickman

Letter to the editor: Why we also don't want to be Republicans

New Menil exhibition creates dialogues between past, present surrealist works

Rice Public Art brings alternative birdsongs

Leebron’s rhetoric at odds with nature of Pence invitation

‘Inside’ transforms Inferno into an intimate womb

‘Picasso at the Lapin Agile:’ a fictional dialogue between Picasso and Einstein

Despite available funding, Rice’s House Rep Crenshaw won’t pay interns

‘Step and Screw!’ brings fresh comics to the Menil

CAMH brings chaos, intrigue with Cheryl Donegans ‘’GRLZ + VEILS’

‘Celebrate Doilies’ brings nostalgia to the Jung Center

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