"This team accumulated the most points and the highest finish Rice has had in a while," Warren said. "I am impressed with not only the effort these guys put in over the four hot days we were in San Antonio, but also with the months of work it takes to prepare for such a task."

The men's team was driven by four first place finishes, improving on their fifth place finish from last year and increasing their point total by 47 points. According to Warren, sophomore Ese Amata's first place performance in the high jump was a particular stand-out.

"Amata, in a wonderful high jump competition that included two All-Americans, jumped both seven feet and seven-feet, 1.75 inches to win the conference crown in a jump off," Warren said. "His jump puts him tied for third all-time in Rice high jump history."

In addition to Amata's first place finish, sophomore Alexander Slinkman took home the Pole Vault crown with a throw of 5.23 meters and junior Nick Hicks' 63.87 meters throw won him his second consecutive C-USA hammer throw title. According to Warren, one of the joys of the meet was seeing senior James McNaney win his first C-USA title after placing second last year.

"McNaney had his second-best day ever to win the men's javelin," Warren said. "His throw was a joy to watch and clinch the victory."

The men's team also received significant boosts to their point total with four second place finishes from sophomore Elian Ahmar in the shot put, sophomore Sam Woodley in the discus throw and C-USA Freshman of the Meet Grant Levesque in the decathlon and the pole vault. According to Warren, nearly the entire team contributed to their high point total.

"We had so many outstanding performances it is hard to know where to start," Warren said. "We had other events that had both big individual performances and large points from great team efforts."

The women's team took a step back at this year's meet as they scored 33.5 fewer points than they had a year ago, which led them to finish fifth following last year's second place finish. According to women's head coach Jim Bevan, despite the drop off from last year his team still exceeded expectations at the meet.

"[We had] lots of outstanding performances [with] four winners and two silvers," Bevan said. "We competed very hard, and we scored more than the pre-meet said we would."

The women's team took first place in four events, with sophomore Grace Forbes winning the 5000-meter and 10000-meter for the second consecutive year, junior Erna Gunnarsdottir winning her second shot put title and sophomore Tara Simpson-Sullivan breaking her own C-USA meet record in the hammer throw with a distance of 69.39 meters. According to Bevan, he is looking forward to building from this meet as his team retools for next year.

"We need to remember how intense conference meets are in preparation for next year as we will return most of our team," Bevan said. "[We] will get many back to 100 percent strength and bring some very highly recruited freshmen on board. We will miss the outstanding leadership of our seniors, but they have laid a great foundation for the team next year."

With the conference season finished, Rice will now send 13 representatives - six from the women's team and seven from the men's team - to the NCAA West Prelims in Fayetteville, Arkansas, which begin on May 25. Those who qualify will move on to the NCAA championships during the second week of June.

I would like to preface this piece with this understanding: This opinion in no way discourages students from seeking help for poor mental health. Students should not hesitate to reach out to any available professionals for routine mental health services or mental health emergencies.

Before you attend a counseling session at the Rice counseling center, you will be told that "the RCC maintains strict standards regarding privacy." You will find statements from the university that your mental health record will not be shared with anyone outside of extreme situations of imminent harm, and only then that your information will be shared with only the necessary officials. This sounds great, except that these assurances bear no teeth whatsoever - no enforcement agency ensures that Rice follows its public confidentiality promises, and there are no penalties for Rice if they break them. The Wellbeing and Counseling Centers should more directly communicate the limits of their confidentiality policies when compared to unaffiliated counseling centers, and students in sensitive situations should take the necessary precautions to protect their information.

I was not aware of this, and learned the hard way.

During a scheduled session with a therapist at the Rice Counseling Center in fall of 2021, I tentatively divulged a number of concerning trends that warranted a visit to the emergency room. I only shared this information because the wellbeing and counseling centers had led me to believe that my words were confidential - between only me and my healthcare professionals. My therapist directly assured me that even my emergency contact would not be privileged to my information, and I proceeded voluntarily with the hospital admission confident in their confidentiality promises.

I went to the hospital expecting to stay a few hours. I remained there for six days. On the third day, I received an unsettling call from my sister. Rice had not only spoken with my mother - who was my emergency contact - but they had told her everything I had said to my counselor, including false details that greatly exaggerated the severity of my situation. My mother was the last person I wanted someone else to tell the words I had said in the privacy of a counseling center, and I had prepared to inform my parents of my situation in my own time. At my most vulnerable moment, the Wellbeing Center had become the single largest obstacle to my mental well-being.

After six months of reading regulations, emailing Rice officials and speaking with the federal Student Privacy Policy Office, I have uncovered an unsettling reality: legally enforced confidentiality does not exist at universities, at least between most students and their parents. University counseling centers are governed by FERPA - the privacy standard for academic records - and are inherently less confidential than unaffiliated counseling centers, which are protected by HIPAA. The text of FERPA does seemingly offer special protections for mental health records, but the bizarre interpretation of the law taken by the Department of Education lumps treatment records together with education records, making psychological assessments subject to the same federal disclosure allowances as your grade in COMP 140.

Under FERPA, nothing prevents Rice from sharing the totality of your mental health record with your parents if they claim you as a tax dependent, or if Rice decides that full disclosure is necessary for your health and safety (even if it objectively is not). It does not matter what assurances you are given from a university - FERPA allows non-consensual disclosure.

While FERPA does broadly allow universities to disclose sensitive information, it never mandates that they do so. As a barrier between your sensitive records and unlimited release to your parents stands the Rice Counseling Center's confidentiality policies, which seemingly offer confidentiality protections comparable to those of HIPAA-protected counseling centers. Nothing in these publicly available policies allows the non-consensual disclosure of information to anyone other than mental health professionals, emergency or not. Assuming Rice adheres to its own policies, strong confidentiality exists.

Rice, as it happens, does not need to adhere to its policies - no one makes them. No outside agency holds universities accountable to their own confidentiality guidelines, leaving Rice as the sole legislator, executor, and judge of its health record policies. Such a system simply cannot guarantee strong confidentiality.

Officials from the Wellbeing Center and Dean's office have told me that the disclosure of my information was warranted because my situation constituted an emergency. This justification is as absurd as it is depressing. Rules and agreements do not cease to exist simply because someone labels the situation an 'emergency.' Mental health emergencies are the very instances when confidentiality is most important because it is when students are at their most vulnerable. If confidentiality exists in all cases except when it becomes inconvenient, then it never existed at all.

There are some steps you can take to try and avoid a full disclosure to your parents in cases where hospitalization is the best path forward. The Counseling Center is not out to hurt you, but you need to make your requests very clear.

First, you can ask to change your emergency contact before you leave for the hospital. If your emergency contact is someone other than your parent, Rice cannot legally share records with them without consent. You should also make it clear to your therapist that you do not want your parents to know the details of your record, and make sure that they pass this request on to the Wellbeing Center. Put the request in writing if you can. Finally, ask to review the paperwork filled out by your counselor to ensure that they provided an accurate account of your circumstances.

At the end of the day, a significant portion of the problem lies with the U.S. Student Privacy Policy Office, who, in my opinion, egregiously misinterprets FERPA in a way that erases privacy protections written into the law. While the Wellbeing Center cannot change the way federal agencies interpret law, they can improve their own policies. The Wellbeing and Counseling Centers should be forthright with students about the lack of full confidentiality enjoyed by other, unaffiliated centers.

Dean of Undergraduates Bridget Gorman welcomed the graduating class to the convocation proceedings.

"Tonight is simultaneously a celebration of your growth as leaders, collaborators, and informed and engaged citizens of the world," Gorman said. "You have all done so well. We are proud to call you Rice Owls and are excited to cheer you on tonight with your family and friends as you conclude your undergraduate experience with us."

The elected student convocation speaker, Krithika Shamanna, addressed the audience of Rice Stadium with a story about searching for her dedications and passions while at Rice.

"What was I dedicated to? I came to Rice hoping to find out in classrooms, or walks in Hermann Park, or volunteering off-campus," Shammanna, a Jones College graduate, said. "I hoped for a single eureka moment that would be understanding dedication. Although that single moment never came, I've learned more about dedication over the years than I could have ever imagined four years ago."

Shamanna said that, to her, the Rice student body is defined by compassion for one another and the surrounding community.

"Nothing defines the Rice community more than the idea of showing up for each other. Showing up to recognize policy shortcomings and demanding justice for survivors. Showing up to recognize our mental and physical uniqueness and creating more educational spaces. We showed up and we will continue to show up."

In his last graduation as Rice President, David Leebron began by celebrating the class of 2022's in-person graduation, despite spending most of their college experience in an ongoing pandemic.

"Two years ago, we celebrated the class of 2020 in a completely online ceremony… This year, we had to move online at the beginning of both semesters and recently we have had to address a new surge," Leebron said. "It's truly wonderful that we can be together [in person] on this occasion to celebrate your amazing accomplishments."

Leebron said that he will miss interacting with students as part of his role as university president.

"It has been one of the true privileges of my job to see your extraordinary talent and passion and compassion, to see your drive to make a real contribution to our world, and to see your commitment to making Rice better," Leebron said. "I will miss many things in the years ahead, but none more than my interactions with you. I look forward to hearing about your growth and achievement in the years ahead."

To conclude the ceremony, Leebron announced numerous awards given to recognize outstanding Rice students and faculty. The Student Association Mentor Recognition Award, which recognizes a faculty or staff member for their extraordinary service, was awarded posthumously to Kelley Lash, the former director of student media.

"Kelly Lash was the director of student media at Rice for many years and passed away unexpectedly just a few months ago," Leebron said. "All who knew Kelly know what a loss it is that she is gone, and I am really pleased to see her good work and kind spirit recognized by our students."

The commencement ceremony was held the following morning. Sonia Nazario, a Pulitzer Prize-winning author and journalist, delivered this year's commencement address to the graduating class. Nazario spoke about her career in journalism and what it has taught her about seeking truth.

"In my twenties, I focused on my career to the exclusion of nearly everything else," Nazario said. "At twenty one, I was the youngest person hired by the Wall Street Journal, and I toiled in three cities in five years. I stayed out of activism as my journalism profession demanded, and it took me decades and a winding, difficult road to see the joy of fighting for something beyond myself."

Later on, Nazario said her experience utilizing direct action by mixing journalism with activism taught her the importance and benefits of helping others.

"My honest assessments have led me to press for prescriptions on the immigration issue that anger both the left and the right," Nazario said. "But direct action is what brings me joy, and the older you get, you'll understand that joy is what we're aiming for… helping others helps you lower your blood pressure and risk of early death, it decreases depression and even makes your brain release endorphins."

Nazario congratulated the class's ability to balance academics with college culture.

"Kudos to the graduates not only who learned how to ride bikes while chugging beer and streaked naked with some strategically placed shaving cream, but also worked hard and pulled all-nighters to obtain what my husband's longtime boss, a Rice grad, proudly proclaims to be the best damn education anywhere," Nazario said.

Nazario ended her commencement speech by calling upon the graduating class to discover their passions and utilize direct action to make change throughout the world.

"As you leave here today, that awesome diploma in hand, I hope you ask yourself: what would you like to see change? What gets your blood boiling?" Nazario said. "How can the skills and critical thinking you gain at Rice help you figure this out?"

"Disappointing that we were not able to win the tournament, but credit to ODU [as] they played a solid match across the board from start to finish," Schmidt said. "I know our returners will be hungry and ready to work to bring the title back to Rice next year."

The Owls came into the postseason tournament as the No. 4 seed, which led them to be matched up with the No. 13seed, the University of Texas, San Antonio, in the opening round. The Owls made quick work of the Roadrunners as they cruised to a 4-0 victory.

The Owls jumped out to an early 1-0 lead, taking the doubles point from the Roadrunners before freshman Allison Zipoli, senior Anastasia Smirnova and freshman Saara Orav claimed the first three singles points to give the Owls their 4-0 victory.

Rice's quarterfinals match featured No. 69 and No. 5 seed Florida Atlantic University, a team that battled the Owls down to the wire in late January.

However, this time, the Owls were in cruise control as they won the doubles point and then took three straight singles points as senior Anna Bowtell, junior Maria Budin and Zipoli all won their respective matches 2-0. According to Schmidt, knowing the difficulty of their opponent based on their past match, she was pleased with how her team competed.

"I thought we played a solid team match in the quarterfinals against FAU," Schmidt said. "We had gone 4-3 with them earlier in the season, so knew we would be in for a battle, and I thought our team as a whole competed really well in that match."

This win earned the Owls a spot in the semifinals where they faced the top-seeded Monarchs. ODU broke the Owls six-match streak of winning the doubles point as the Monarchs to open the match. Following the doubles point, the Owls then dropped the first three singles points, giving the Monarchs a 4-0 victory to move on to the championship. According to Schmidt, she and her staff are already thinking about what can be done to improve her team for next season.

"We have already started to reflect on what went well and what needs to improve as we head into next season," Schmidt said. "We feel we were capable of going further in the postseason than we did this year, and our staff will be working tirelessly to build on the lessons of this year as we continue to grow and improve."

The Owls finished their season with a 15-8 record, which included going 4-1 against conference opponents.

While this concludes the season for many of the Owls, Schmidt said there is a good chance that the doubles pairing of senior Diae El Jardi and Budin, who are currently ranked No. 16 in doubles, will continue with their doubles season in the NCAA postseason. According to Schmidt, this would be an opportunity for the doubles pairing to represent their team and university on the national stage.

"I think there is a high chance [El Jardi] and [Budin] will make the NCAA doubles tournament, and that means a ton," Schmidt said. "Not only does it mean a lot for them personally, but it means a lot for our university and our program to have Rice represented in the National tournament. A lot of hard work and growth has gone into them achieving the ranking that has put them in a position to represent Rice at NCAAs, and we are excited for them to continue their postseason journey and compete for a national title."

Late in the 2019 college football season, with his team yet to win a game, Rice head coach Mike Bloomgren called a team meeting. According to Cooper*, many of his teammates were taken aback by what their coach had to say.

"One of our seasons, we were [winless], and we had a team meeting - everyone remembers this - and he told us how he doesn't need this job, has a smoking hot wife, has [multiple] houses and doesn't need any of this," said Cooper, one of several players the Thresher spoke to for this article, three of whom only agreed to be quoted on the condition of anonymity.

According to Peyton*, who confirmed the content of the speech, that meeting was when he started to doubt his head coach.

"That's when everything changed," Peyton said. "That's when we were like 'this guy is just not a good guy and we don't want to play football for him.'"

Cooper said that outbursts like this were not uncommon, and that Bloomgren has had a contentious relationship with his team throughout his tenure.

"I'd say 80 [or] 85 percent [of the players] really don't like him, 15 percent [are] on the fence," Cooper said. "I guess he's oblivious to it."

Peyton said he believes that somewhere from 15 to 25 percent of the team still support their coach while the rest of the players have mostly soured on Bloomgren.

In a statement provided to the Thresher, Bloomgren reiterated his dedication to the members of the Rice football team.

"I am proud of the tremendous young men in our football program, and I fully stand behind our commitment to their well-being," the statement said.

Former players have expressed that they see a disconnect between what Bloomgren says and how he interacts with his locker room.

"I don't think he believes or means what he says most of the time, if it's a positive thing," said Eli*, who categorized Bloomgren as difficult to talk to and someone who struggles to connect with his players. "You talk to most of the kids on the team and they'll say they've never had a normal interaction with him."

Bloomgren often touts the strong culture that he is building at Rice. Eli said that Bloomgren, who received accolades for his recruiting skills as an assistant at Stanford University, sells this vision to potential players, but over time they begin to realize that it's all an act.

"In the recruiting process he's super smiley and friendly, and then the more you interact with him you're like 'there's something really off with this guy,'" Eli said. "When he doesn't follow through on the things he promises, you start to see through the facade that he has."

According to Cooper, most players begin to develop animosity toward Bloomgren in their first couple of months playing for him.

"I realized it midway through [my] first season [with him]," Cooper said. "Usually it's around that same time [in the season] with freshmen … We just start losing and everyone starts hating it and realizing how much Bloomgren is factoring into how much they hate it."

According to Peyton, the team's frustration with their coach is so rampant that it comes up constantly.

"Any conversation [about] Rice football turns into a conversation about how much Mike Bloomgren sucks," Peyton said.

Through four seasons, Bloomgren's record sits at 11-31. However, according to Cooper, Bloomgren has been quick to deflect blame during the team's struggles. At one meeting, Cooper said he recalls Bloomgren blaming the team's record on some of their top players.

"One time, before a game against [Louisiana Tech University], he decided to go around the room and tell at least four of our key players how bad they were," Cooper said. "How is that supposed to motivate us?"

According to Cooper, the problems run beyond just Bloomgren's inability to connect with his players; he hasn't been able to craft a game plan that suits his team either.

"I don't think we utilize our talent to the best of our ability," Cooper said. "He likes west coast [concepts with a] power run offense. Personally, I don't think that will work at Rice because we can't recruit the linemen to run a power run offense. I feel like every coach needs to adapt to their team and Bloomgren does not do that. He sticks to his philosophy and it doesn't work here. I think if he realized that, we could be really good, but he's just too stubborn."

Eli said he believes Bloomgren's stubbornness is reflective of the fact that he does not listen to criticism.

"He's a smart guy … he's able to make decisions competently, he just makes the wrong ones," Eli said. "He hasn't had anyone in his ear telling him 'no this isn't the right thing to do.' He's very authoritarian, where it's either my way or the highway."

According to Cooper, there have been a number of times where the team was left questioning Bloomgren's play call.

"[In overtime against Middle Tennessee State University in 2020] we had the ball [needing a touchdown] to win the game," Cooper said. "We ran 'Toss Power King,' which is a toss run play, to the right. Got stuffed. He decided to run it to the left. Got stuffed again. And then he decided to [position] the ball [for the ensuing field goal] on third down. That's not winning football. When he [positioned] the ball, we were like 'come on, why? Why are we doing this?' [That] does happen a lot."

According to a statement from Rice Athletics, playing time and play calling are the sole prerogative of a team's coach.

"Who a coach elects to play in a game and what players are called are at the sole discretion of our coaches and while it is our hope that all Rice student-athletes have a positive experience, we recognize that there will always be some student-athletes across all sports who elect to continue their education and athletic careers at another institution and we wish them well," the statement said.

Peyton said that each time Bloomgren called a play that the team felt had no chance of succeeding, they lost their motivation to play for him.

"He would just demoralize the team by running the ball on third and ten," Peyton said. "We had no interest in even being any part of it because it just never felt like it was worth it. We never felt like we had the chance to win because of him."

According to redshirt sophomore defensive linemen Izeya Floyd, Bloomgren is not the root of the team's problems.

"As far as our shortcomings on the field, I feel [Bloomgren] gets overly blamed for our shortcomings as a football team," Floyd said. "I think there are plenty of opportunities for us, as a team, including the staff, players and everyone else in the building, to improve."

According to Eli, Bloomgren's insistence on a physical style of play affects more than just the Owls offense, which has averaged under 20 points per game during his tenure.

"He has this philosophy for short yardage [and] goalline, for third and fourth down plays where … you try to get in the lowest position possible and fire out," Eli said. "Once you're on top of them, you want to roll around on them and put them in the ground. It's the perfect way to get your players injured, because we run it [at practice] full speed, during the season, and it takes a big toll on players bodies."

Eli said that he believes practicing such physical drills in the middle of the season caused injury problems in the starting lineup.

"We had a bunch of starters go down with shoulder injuries, neck injuries [and] concussions," Eli said. "It's a very brutal thing that we do, and we do it full speed in practice. It's basically knocking out a bunch of your starting players just because you have this obsession with this one style of football."

According to Peyton, it seemed at times like Bloomgren didn't put much care into keeping his players safe.

"I can't remember a time when there wasn't someone out with a concussion," Peyton said. "He wasn't big on the safety of the game."

After this past season, 14 Owls opted to leave the program and enter the transfer portal. According to Cooper, it seemed to him that for many of these players, the decision to transfer was a direct result of their feelings towards their head coach and the direction of the team.

"As you can see in the transfer portal, there's a lot of activity," Cooper said. "One hundred percent [that's because of Bloomgren]."

According to Bloomgren's statement, while some players do choose to transfer, others find Rice to be fulfilling both athletically and academically.

"Every student who joins our program has the opportunity to challenge himself, both on and off the field, and has the opportunity to re-evaluate his decision at any time," the statement said. "If a student-athlete decides to transfer, it's disappointing, but I know that there are many others who believe that Rice exceeds their expectations, both on the field and in the classroom."

Despite their feelings towards their coach, Eli said that any animosity in the locker room does not bleed into players' relationships with each other.

"Our team is very close," Eli said. "There's a lot of great people on the team who want to be great for each other. We work out hard and practice hard for each other, because everyone gets along really well, but it's not for the vision of the program or for Bloomgren. I don't think anyone actually buys what Bloomgren is saying."

Even with their struggles, Bloomgren is set to return for his fifth season. According to Eli, after the Owls' upset win over the University of Alabama at Birmingham earlier this year, the team wasn't as happy as they otherwise might have been - because they knew it would buy Bloomgren one more year.

"The inkling of hope [the UAB game] gave his chances to keep his job, I don't think that sat well with a lot of people," Eli said.

According to Cooper, the athletic department has been made aware of the team's complaints with their coach, but is unwilling to absorb the cost of firing him.

"After [each] season, [the athletic department gives] us a survey to fill out and a lot of people tell the truth in it," Cooper said. "Nothing really happens from it. It's a five-year contract. If they fired him after last season, they'd still have to pay him another year, so what's the point."

According to the statement from Rice Athletics, the department fully investigates all concerns brought forward by student-athletes and takes appropriate action, when warranted.

"We are confident that any issues brought forward regarding the Rice football program have been fully examined and addressed," the statement said.

Both Cooper and Eli said that Bloomgren is not oblivious to the fact that there are issues with the team, but they don't see eye-to-eye on where the blame lies.

"I think he realizes that there's something wrong, but I don't think that he thinks it's him," Eli said. "I think he places the blame on [the] players."

According to Cooper, players' outlooks on Bloomgren might change if he made more of an effort to understand them.

"I think he's deceived," Cooper said. "He actually thinks players like him. But we don't really like him - just because he doesn't connect to us. Maybe if he connected to us on a deeper level than he is instead of saying we suck all the time, then maybe we would like him."

According to head coach Efe Ustundag, he searched all over Texas to find a team on short notice to allow the Owls to play one final match at home for their Senior Day.

"When I first gave them the news about not being able to play Incarnate Word, I could really sense and see disappointment," Ustundag said. "I really wanted to make it work, and I reached out to every team in the state it felt like, D1, D2 and D3, and obviously Easter weekend didn't help, especially on such short notice. I'm really thankful for the guys over at Concordia to say okay, we'll make it work and drive here on the same day, play us, and then drive back."

The Owls were eventually able to find an opponent in Concordia, a D3 school in Austin, Texas. According to Ustundag, finding an opponent accomplished the only thing that his team wanted, to play one last time on their home court.

"When [Concordia] agreed to play, and we finally set a time and a date, the sheer joy from the guys ... they all wanted to play," Ustundag said. "I gave them an option, should we do something not tennis-related even if Concordia can play, and everybody said 'no, we want to play one last time.'"

After failing to win the doubles point in their match against No. 27 Southern Methodist University on Saturday, the Owls took it against the Tornadoes as all three doubles pairs won their respective matches. The Owls then took five of the six singles matches, with senior Karol Paluch earning the decisive fourth point 2-0 to give the Owls the victory.

According to Ustundag, while there were concerns that Paluch, Adam Oscislawski, Sumit Sarkar and AJ Valenty, each in their final season with the team, would not have a Senior Day, he was pleased that they were able to get one in the end.

"I'm very happy that they got it," Ustundag said. "We had people out here to celebrate them, parents were here, so it was a special day."

Following their final match before the conference tournament, the Owls finished their regular season with a 12-12 record, including going 1-3 against conference opponents. According to Ustundag, it is likely that Rice will match up against No. 47 University of North Carolina at Charlotte, a team that beat the Owls 5-2 last month, in the first round of the Conference USA Championship in Norfolk, Virginia, this Friday.

"It's very likely that we play Charlotte in the first round," Ustundag said. "We get a full day of training tomorrow, we'll have a half a day here on Wednesday before we take off, so it's kind of back to your usual pre-weekend match scenario. So short week, but definitely a fun and exciting week and hoping to make sure we have our best bodies available to go."

The Owls will look to go further in the postseason than they did last year when they bowed out in the first round to Old Dominion University. According to Ustundag, the tournament will serve as a final send-off for C-USA before the conference realigns with different teams in the upcoming years.

"It's the last time we'll have the conference the way it is because Old Dominion and [the University of Southern Mississippi] are leaving at the end of this year," Ustundag said. "So [it's] kind of one last hurrah for Conference USA in the form that we know it, and it's going to be a really good championship."

"It shows our grit, it shows our toughness," Gallo said. "We got punched in the mouth but we got right back up and threw a bigger punch ourselves. We didn't let the pressure get to us."

In the first game of the series, UTSA got out to an early lead by scoring four runs in the second inning, including a three-run home run by Jonathan Tapia. The Roadrunners added a solo home run the next inning to extend their lead to five.

In the fifth inning, sophomore outfielder Guy Garibay Jr. doubled home two runs for the Owls, to make the score 5-2. Later, down 7-2 in the eighth inning, Rice threatened to make it a game by loading the bases with two outs, putting the tying run on deck, but the Roadrunners got out of the jam, before adding two more runs to seal the 9-2 win.

On Saturday afternoon, UTSA scored in bunches to comfortably beat the Owls. The Roadrunners started the scoring in the second inning as Ian Bailey led off with a double and was later brought in with a sacrifice fly by Chase Keng. The next inning, the Owls took advantage of some defensive miscues by UTSA to strike back. With one out, freshman catcher Manny Garza singled, sophomore infielder Jack Reidel walked, and Gallo singled to load the bases. Then Garibay drove in Garza on a fielder's choice but a throwing error by UTSA scored another run for the Owls. Freshman infielder Aaron Smigelski followed with a grounder that got under the first baseman's glove to score Garibay making the score 3-1.

But UTSA answered immediately with six runs in the fourth inning to take back the lead. The Roadrunners added one in the sixth, two in the seventh and scored five times in the eighth to put the game out of reach, winning 15-4.

The Owls started off the series finale by taking advantage of three UTSA errors in the first inning to get out to an early 3-0 lead. After UTSA scored a pair of runs to cut the lead to one in the second, the Owls answered with a pair of runs of their own in the third to make their lead 5-2. The Roadrunners forced an early exit for sophomore starting pitcher Thomas Burbank, but junior pitcher Brandon Deskins came in with the tying run at the plate and stopped the rally. Deskins kept UTSA off the scoreboard through the seventh inning to pick up the win. The Roadrunners picked up four runs in the eighth off of sophomore pitcher Matthew Linskey - who had yet to give up a run all year going into the game - to cut the lead to 9-7. But the Owls answered right back with seven runs in the bottom of the inning to take control of the game.

According to head coach Jose Cruz Jr., this was an important win to close out the series, despite losing the first two games.

"It was a very big win for us," Cruz said. "We needed to win, we needed to beat a very formidable opponent and UTSA is that."

Cruz said he was very pleased about the strong outing from Deskins, who helped seal the Owls' win.

"Deskins came in and gave a great performance," Cruz said. "In my opinion probably the best of the year. He was very dominant today."

Gallo ended Sunday with four hits and four RBIs. According to Gallo, Sunday's win showed their improved culture and was important for building the team's confidence.

"It was our goal to come out today and take one and gain some momentum going into next week," Gallo said. "I thought we played really well. Our bats came alive, pitching was great, and we stayed together the whole game so that was really important and I'm happy with the direction we're going. "

One of the biggest moments of the game was the way the Owls responded to UTSA's four run eighth inning by scoring seven runs to seal the game. According to Cruz, this was an important step for his team.

"When they scored those runs in the eighth [inning], for us to be able to come back and answer that was really really good," Cruz said. "It was one of the times this year that I can remember that we needed to put pressure on them and we did and we ended up scoring a bunch of runs and taking control of the game."

The Owls travel to Hattiesburg, MS this weekend for a series with the first place University of Southern Mississippi. Game one of the series starts Friday, April 22 at 6 p.m.

Spontaneous Combustion, Rice's improv group, will present their senior show April 22 at 7 p.m. in Herring Hall 100.

COMICON

Traders Village Houston Comicon is April 23 and 24 from 10 a.m. to 5 p.m. each day. The event features autograph opportunities, workshops, vendors and music. The event is free with $5 parking.

HOUSTON LATIN FEST

Houston Latin Fest 2022 is Sunday, April 24 from 1 to 10 p.m. in Midtown Park. The event is a family-oriented cultural festival and features top performers in Latin music. Tickets are available for pre-sale online for $10.

A CAPPELLA

Join a cappella group Rice Nocturnal for their senior show at 6 p.m. in the RMC Chapel. The Low Keys will have their spring concert and senior farewell Sunday, April 24 at 8 p.m., also in the RMC Chapel.

1. "Summer at Tiffany" by Marjorie Hart

This memoir, set in New York City in 1945, tells the story of Majorie Jacobson and her best friend Marty Garrett, who work at Tiffany & Co. over the summer and are the first women to work the sales floor. They wear lavish dresses and gush to their other page friends about the glitz and the glamor within one of New York's most famous institutions. This book offers nostalgia for times past in the best way, with the girls having fun adventures in the city, while also being a timely piece that shows the ending of the Second World War from the perspective of two women just starting out in the world. Definitely a great lighthearted book to lounge by the pool with, and one that will have you wishing to explore the ins and outs of a city undergoing a turning point in history.

2. "Where'd You Go, Bernadette" by Maria Semple

This comedic story is narrated entirely through emails, invoices and school memos to tell the story of Bernadette, her daughter Bee and her husband Elgin, who together solve the mystery of why Bernadette disappeared. The concurrent themes of families coming to terms with who they are and a daughter's unconditional love for her mother are explored. The hilarious characters each have distinct motivations, inspiring comedy and drama that takes characters on an adventure all the way down to Antarctica. Bernadette is a character who, despite her flaws, everyone can find themselves rooting for and is sure to keep readers on their toes.

3. "From the Mixed-Up Files of Mrs. Basil E. Frankweiler" by E.L. Konigsburg

This book, a bit older and meant for a bit of a younger audience (recommended reading is for ages 8-12) is also a fun, lighthearted, easy to read book perfect for a picnic or lazy day. It follows Claudia, who runs away with her brother to New York City's Metropolitan Museum of Art. They solve a mystery within the museum, while managing to live in a functioning museum successfully. This tale is sure to make you laugh and root for the two young protagonists as they fight their way through the Big Apple. This story also includes a mixture of letters and various files thrown into the normal narration, allowing for a more immersive and fun reading experience.

4. "People We Meet on Vacation" by Emily Henry

Did you really think you would make it through this list without at least one sappy, cute, funny romance novel? Think again babes. This rom-com is about two best friends turned lovers. A slow burn, as well as a good vacation read, given the title, this is perfect for anyone who wants to get lost in a romance book and enjoy amazing humor and good writing. I can't promise that it won't be like every other romance slow burn friends-to-lovers book out there, but I can promise it'll be a good time.

5. "Last Summer at the Golden Hotel" by Elyssa Friedland

This book is set in the Catskills of New York, a place that anyone familiar with "The Marvelous Mrs. Maisel" or "Dirty Dancing" will recognize. It centers around the Goldman and Weingold families and their yearly reunion running the beautiful "Golden Hotel" together. Secrets, family drama and financial scandal have been thrust into the light after a tempting offer was given to the families, and they must work to save their hotel before it is lost. This novel has drama, luxury and nostalgia for vacationing in the beautiful upstate New York Catskills, another perfect book to get lost in.

Robert Eggers is a filmmaker whose work has been defined by its small scale and intensive focus on characters. His prior films, "The Witch" and "The Lighthouse," both feature a small cast and embrace environmental horror as terrifying events slowly pull the main ensemble apart. His reputation for his smaller scale and focus is partly why "The Northman" was so interesting upon its announcement - "The Northman" blows up Egger's storytelling onto a massive scale. The locations, number of characters, and time period all dwarf his prior films. For the most part, Eggers steps up to the plate, succeeding in his ambition. "The Northman" will be available to watch in theaters April 22.

"The Northman" is a historical epic that loosely adapts the story of Shakespeare's "Hamlet," set among Norse Vikings. While inspired by Shakespeare's work, the film is far from a beat-for-beat recreation of the play and merely uses the basic plot structure to create an entirely new story.

It follows Alexander Skarsgård as Prince Amleth, the most analogus character to Hamlet in the story, who, as a child, sees his father murdered by his uncle and his mother kidnapped. After barely escaping, we then see a fully grown Amleth who is reminded by a seer, played by Björk, of his oath to avenge his father. This version of Amleth is a very different take on the Hamlet archetype, epitomizing stoicism and a strong sense of duty.

Of course, "The Northman" also features the return of Anya Taylor Joy, who worked with Eggers on "The Witch." Joy's character, Olga, embodies a resolve and fighting nature that complements Amleth's stoicism. Both she and Skarsgård give great performances that showcase a wide range of emotionality and development.

As with his prior films, Eggers poured himself into creating a period-accurate world, or at least one that is as close as possible, world. By working with "Viking historians, archeologists and linguists," Eggers carefully constructed the film to make sure that the Vikings and their blunt dialect matched historical accounts from that time. While many filmmakers might not delve into this level of detail, Eggers' dedication to accuracy in the characters' language and surroundings enhances the film's atmosphere. The movie also embraces strong symbolism throughout and uses Norse mythology to inform characters' fighting practices and actions to add further depth to the world.

"The Northman" also sees a newfound necessity for fight choreography, a need that is addressed well with a number of compelling fight scenes that make use of Norse weaponry and diverse backdrops.

Although different from the more intensive, small-scale character studies that Eggers is known for, "The Northman" is still worth the watch and expands his eye for detail to a larger, more spectacular world.

Top Track: "Fear Of The Dawn"

Last year, Jack White promised fans not one, but two albums to be released in 2022 within months of each other. Throughout the pandemic, White created a wealth of music that went in "all different directions: some incredibly heavy; almost like speed metal; some sounded so gentle." Instead of packaging them as one unit, a bulky double album as seen from artists like Drake and Kanye West recently, White decided to break them into two separate works: a heavier, rock-focused record and a folk album.

Jack White has been part of so many groups over the years, from The White Stripes to The Raconteurs, that it's impossible to avoid comparing his solo career with his prior music. That being said, "Fear of the Dawn" is an album that sounds nothing like a project that could have come from one of White's bands but is instead a result of his own creative exploration.

"Fear of the Dawn" takes the experimentalism of "Boarding House Reach," White's previous solo album, and fuses it more closely with his traditional rock sound. The album features a varied track list, with songs that are reminiscent of his White Stripes work juxtaposed against White's discovery of sampling throughout the album.

The biggest indicator of White's experimentation, and one of the more divisive singles among music publications, is the second single from the album, "Hi-De-Ho." The song was created from a sample of jazz musician Cab Calloway's 1943 track "Hi De Ho Man." After layering more instrumentals onto the sample, specifically bass and drums, White sent the track to rapper Q-Tip, formerly of A Tribe Called Quest. The sample and instrumentation create a driving and energetic background for Q-Tip's effortless verse. The inclusion of a more hip-hop oriented track on his album proves White's irreverence for the typical restrictions of rock and makes for an interesting and varied listen.

Earlier in the album, White embraces a heavier, more rock-focused sound on the title track. The bruising guitar riff that forms the basis of the song sounds like something that could have come out of the sessions for Black Sabbath's "Paranoid." The distorted riff pushes the track forwards and is layered with soloing between the verses. "Fear of the Dawn" is concise - only three verses and no chorus - but brings an undeniable energy to the album.

"Into the Twilight" is another example of how Jack White used sampling on "Fear of the Dawn" to enhance his sound and stretch it in new directions. As with "Hi-De-Ho," White gives the bass room to breathe that leads to an almost danceable groove. The various samples and instrumentation create a kaleidoscope of sound that engulfs listeners into White's reinvention of rock. In addition to the Manhattan Transfer samples that make up the base of the song, White samples Beat writer William S. Burroughs, saying, "When you cut into the present, the future leaks out" - a connection to past artists who broke accepted conventions to make something new. The quote further relates to White breaking down what has been accepted as rock music to make room for future developments.

"Fear of the Dawn" ends with "Shedding My Velvet," a classic-sounding track, especially amidst the experimental landscape of the rest of the album. A slower track about opening up, "Shedding My Velvet" is a fitting end and cool-down to the album that still keeps the energy and sound that makes White's album so interesting.

The first of Jack White's 2022 album releases embraces the weirder sides of White's creativity to create an experimental work that plays with the rules of rock music and improves with every listen.

Top Track: "orange show speedway"

Lizzy McAlpine has created a masterpiece. Her second full-length project, "five seconds flat," is a concept album complemented by a short film, with each song laid out in chronological order. Accompanied by collaborators Jacob Collier, FINNEAS and Ben Kessler, McAlpine's unflinchingly honest writing creates a safe space for listeners within layers of thoughtful production. The project is an intentional departure from her debut, which she says embodied a more innocent and naive version of herself - someone she's outgrown. Instead, "five seconds flat" is a vivid representation of McAlpine's most formative experiences in love and loss, offering fans a more mature and nuanced perspective as she navigates their aftermath.

McAlpine begins the album by detailing her metaphorical death at the hands of her ex on "doomsday," relinquishing control over her life and heart as she sarcastically acknowledges, "I don't get a choice in the matter / Why would I? It's only the death of me." Chaos builds in the second chorus as the big day is carried out by drums, presumably the ones hired by McAlpine ("I'll book the marching band to play as you speak"). The end of her life with her ex is cautiously optimistic despite its weight: "I feel more free than I have in years / Six feet in the ground."

McAlpine shifts from rich crescendos to a pared-down production in "ceilings." Warm guitar and her layered, breathy vocals achingly narrate a sweet yet short-lived love that wasn't quite right, or maybe never entirely as real as it felt. In "what a shame," she sits in synth-driven infatuation, coyly saying, "What a shame it would be if you left her now," only to realize in the next track, "What a shame that I put up with you." These are some of the best songs on the project, and McAlpine's carefully light vocals - which she used even more of in her debut - often perfectly match her feelings and the delicate subject matter. However, I wish that she would take advantage of the intensity in her chest voice more often than in the brief bursts of emotion in "firearm" and "hate to be lame."

The album's last two songs see McAlpine reflecting on loss and the person she's become after it changed her. She mourns her late father in "chemtrails," experiencing a grief that surpasses physical place and time, which parallels "Headstones and Land Mines," also the thirteenth track on its respective album. In "orange show speedway," one of my favorite songs she's created, she reveals the reason for all the pain she's endured in the name of love (and the album's): "I think it all kinda feels like an Orange Show Speedway / When you're racing head-first towards something that'll kill you in five seconds flat / When I'm racing head-first towards everything that I want back." Despite the pain she's endured, the love that she fleetingly experienced was worthwhile. By the end of the track, McAlpine finds inevitable heartbreak - but, as we all must, she pieces together a fresh start from the wreckage.

Assistant Director Bria Weisz said the production is staying true to Shakespeare's text and script, but set in the 1990's to give them space for the stories they want to tell.

"'Twelfth Night' is a really interesting show in terms of what it says about gender and sexuality. There's a lot of cross dressing and love triangles and etcetera," Weisz said. "We decided to have the show take place in the '90s just because that's a really interesting time for the gay rights movement and things going on in that regard. And it's been interesting to take the story and adapt it to a new setting. We've [been able] got to have some really great conversations around the text."

According to Morgan Gage, who plays Viola, the show's protagonist, aside from a few cuts for brevity, they have kept all of Shakespeare's words, just with some reinterpreted meanings.

"It's really interesting how this play embraces the fluidity of both gender and sexuality in a really unique but also entertaining way," Gage, a McMurtry College junior, said. "We've taken the time to block moments at the end of the script that were not originally written into the play to kind of give some resolution … because Olivia is in love with Viola thinking that she is a man. And in the end, we get to have a moment, which I think was really meaningful for all of us to add."

Veering slightly from BakerShake's traditional process of selecting a play and director from pitches during "Bard's Night" in the fall, Bree Bridger said she came on to the production as a director before "Twelfth Night" was selected to be this year's play.

"We had a 'Bard's Night' where students came together and we talked about what plays sounded right," Bridger, Baker associate, said. "We knew we wanted to do a comedy because we all need a laugh right now. So 'Hamlet,' 'Romeo and Juliet,' those were kind of put to the side. And [for] me personally as a director, 'Twelfth Night' is one of my favorite Shakespeare works … So I proposed that one and people liked the idea of it."

Gage said she was nervous coming to auditions, which felt high-stakes because of how strongly she identified with Viola's character.

"When I was 15, I read 'Twelfth Night' as part of a elective literature class in high school and I thought to myself, if there's any Shakespeare show I want to do it is 'Twelfth Night', and if there's any role that I want to play it is Viola," Gage said. "Being able to play this part has been really exciting and it means a lot to me just because it's such an interesting role, one that I've wanted for a while."

Gage said the production's longer rehearsal process gave the cast the opportunity to become better acquainted with the script and their own characters.

"A lot of our early rehearsals were honestly just sitting down at the table and looking at the text, because Shakespeare's words are so rich in meaning," Gage said. "There's so much there whether you're looking at the fact that it's written at times in verse, or metaphors or frankly very inappropriate jokes that you don't necessarily understand at the first read. Bree would stop us at the end of each scene that we read through and ask 'Okay, what are you saying here?'"

Besides the students, alumni and associates stay involved in the production, according to Bridger. Greg Marshall (Baker '86) said while he never had the chance to be anything besides an audience member as an undergraduate, he has since helped with promoting the show in the years following his return to campus as a Baker associate in 1992. Over these years, he said BakerShake has remained the same in the ways that matter most.

"It is still and always was a student initiated, student-led production. And it always should be," Marshall said. "A lot of alumni now are available who are happy to help when called upon and yet I think they all are very respectful of the fact that this needs to be a student-managed and student-initiated production."

Among BakerShake alumni are names like Jim Parsons and Candace Bushnell, visiting actors from Royal Shakespeare Company in London. This year, though, Gage said the cast and crew are all Rice affiliated, the majority being students.

"It's also just very interesting to be working on a production this long with people who know our audience, like we know that we're putting the show on for ourselves and for the gratification of putting on a story that we're proud of, but also for an audience that we know and love and that like we call home," Gage said.

Editor's note: Morgan Gage is the Thresher's Arts & Entertainment Editor.

Juneteenth

Commemorating the freedom of enslaved people in Texas, the last state in the Confederacy with institutionalized slavery, Juneteenth celebrates African-American culture, including music such as blues and Creole. Featuring Grammy Award-winning blues singer Bobby Rush, Houston's Juneteenth celebration will take place at the Miller Outdoor Theater in Hermann Park on Sunday, June 19. Sway along to the soulful music and immerse yourself in Houston's vibrant diversity. All tickets are free and will be available beginning Sunday, June 12.

Pride Houston

The 44th Houston Pride Celebration will take place at the Houston City Hall Saturday, June 25. The festival will run from 1 p.m. to 6:30 p.m., with concerts, booths, exhibitions and more to celebrate the LGBTQ community. The festival will be followed by a parade from 7 to 9:30 p.m. Tickets range from $3 to $200 and can be found on Pride Houston's website.

"Seeing Is Not Believing" at the Museum of Fine Arts

Leandro Erlich is a conceptual artist whose exhibition "Seeing Is Not Believing" showcases optical illusions through immersive, room-size installations. Erlich's creative work will be returning to the MFAH for the first time since 1999, when he was a resident in the Glassell School of Art's Core Program. The exhibit will run from Sunday, June 26 to Monday, Sept. 5 in the Caroline Wiess Law Building at the MFAH.

"Notorious RBG" at the Holocaust Museum Houston

"Notorious RBG: The Life and Times of Ruth Bader Ginsburg" is based on its namesake and the New York Times bestselling book about the late Supreme Court justice. The exhibition explores the United States judicial system and the cultural revolution that Ginsburg brought to it. The exhibition is running March 11 through July 31, and reservations are required to attend.

Flea by Night at Discovery Green

This open air market is set in the park's green spaces in the heart of downtown. Local vendors and artisans, small businesses and the Houston community come together to shop locally, and the event can often feature vintage, repurposed and handmade goods. The market will take place multiple times throughout the summer: May 21, June 18, July 16 and Aug. 20.

Catch a play at a Houston theater

When the sweltering heat gets too much, rush indoors to watch one of these productions by the several theaters across H-Town. Escape the heat by watching "Frozen," presented by Memorial Hermann Broadway. The show runs June 30 to July 17 at the Hobby Center. For those looking for something a bit more intense, catch Alley Theater's production of "Clue" for some twisted humor. The play runs from July 22 to Aug. 28. For those seeking actual dark humor, don't miss out on "Is God Is" at Rec Room Arts, which presents a modern myth about twin sisters exacting righteous revenge, running July 14 to Aug. 6.

Go to a good ol' concert

Houston is going to see a lot of artists dropping by this summer: Machine Gun Kelly June 10, the Backstreet Boys June 14, 5 Seconds of Summer June 26 and Maverick City Music July 8, to name a few. Even those not in Houston can potentially find their favorite artists in concert, or enjoy live music in Houston at these smaller-scale venues.

"I didn't expect it," Franco said. "It was icing on the cake because the whole experience was amazing, just working on the project. Being nominated was a huge honor. I just felt happy to represent Latinos and represent Rice and happy to represent new voices."

Franco said that "Encanto" was different from her earlier projects in the amount of Latinos involved, the pandemic restrictions she had to navigate and the freedom Disney gave her to create a new sound.

"The filmmakers didn't want it to sound like a big Hollywood orchestral Disney score," Franco said. "They wanted something different … they wanted it to be the sound of magical realism. That gave me a lot of time and ideas to experiment. It was one of those projects that comes along and you just pinch yourself [when] you're working on it."

Franco said that while she was unable to visit Colombia for inspiration, she read a bunch of books about the country (including the magical realism of Gabriel Marquez), listened to many Colombian artists like Carlos Vives and explored the wide spectrum of Colombian music. In addition to buying many Colombian instruments in order to sample their audio, she sought feedback from her Colombian musician friends. Most importantly, she directly collaborated with Colombian artists, such as an accordion player who brought eight differently-keyed accordions to a recording session and a Colombian choir whom she recorded with over Zoom.

"I love the 'Antonio's Voice' section [of the score] when he opens his room and you see the tree of life," Franco said. "I wanted to honor the tradition of the Cantadora singing. I was able to convince my boss we needed to have a choir from Colombia. It happened because I met Carlos Vives at his concert and I was able to meet his musicians. One of the singers who works with him - when I heard her sing, I drove away and thought, 'That's the sound we need.'"

Franco said that she worked on over 40 feature films prior to "Encanto." As an assistant to composer John Powell, she was involved in movies like "How to Train Your Dragon," "Kung Fu Panda" and the second, third and fourth "Ice Age" movies. After leaving his studio and going out on her own, Franco worked on big animated films like "Coco" and "Curious George," live action movies like "Tag" and "Little," independent films like "Dope" and even television shows like "Vida."

"This kind of job, you don't know what your schedule is going to be," Franco said. "I really encourage any students who are interested in music and the arts to take a leap of faith. It's not like in medicine or in law or business where you graduate and there is someone waiting at your door with an offer. That doesn't happen. It's daunting, but if you really love what you are doing, I think you'll find the path."

Franco received undergraduate and graduate degrees in percussion performance at Rice. She said that as a student she would play in multiple orchestras - including a few abroad - during the day, but she enjoyed playing in jazz clubs at night. Franco said that she was also in a jazz group made up of friends that played for residential college parties at Rice.

"I was kind of doing a double life thing," Franco said. "It felt so rich and exciting … I supported myself with like four different jobs. I started earning money playing jazz and Latin music. I realized that when I played the Latin music people really responded."

Franco said her year in the Marching Owl Band was a fun experience. She cherishes a memory of performing during a Rice-University of Texas at Austin game after an oil spill.

"We all were dressed in plastic trash bags," Franco said. "They called us the Rice oil blob. That was pretty funny."

Franco said her performance at Hamman Hall with her brother Michael Petry (Sid Richardson College '81), who was dancing, was another special experience. She said her involvement in musicals at Rice helped her when she became the music director at the Los Angeles Theatre Center.

"I got into theater while I was in Houston playing [music] in musical theater," Franco said. "Who would have thought those kinds of musicals would help me? [In] those small productions, I was having fun but didn't realize I was actually growing. There's something there: community, coloration and then performing."

According to Franco, Rice is part of the foundation of her successful career.

"Back then I didn't know what I could do with music," Franco said. "I just knew I loved it. But because I had such good training at the conservatory … when I wound up in this film world I had a background and I could swim."

Franco said she currently works as a composer and music producer that owns her own studio.

"The best thing about it is I get to make music everyday," Franco said. "That to me is huge because in today's world it's difficult to be a musician and also to make a living at it."

According to Franco, the process of composing requires flexibility and teamwork, particularly with filmmakers. She uses a computerized workstation with thousands of sounds and often does a lot of math to synchronize the audio with the film. While the job involves hard work and long hours, she enjoys collaborating with other musicians to create music and see her ideas come to fruition.

"You hear them in your head but then when the whole orchestra's playing, it's much bigger than you could have imagined it," Franco said. "You have these connections that are true humanity. You are all making music together. Everyone has a goal. There [are] so many musicians who practice so many hours and they give so much to the sound of the score. I consider it a very rewarding job."

According to Franco, she has faced challenges as a Latina composer.

"I'm definitely often the only woman of color in the room," Franco said. "But I don't let that bother me because I consider myself a musician and that we all speak the same language. I do think people have their own stereotypes about capabilities based on last name. I try to look past that - I have to. You can't respond to every microaggression; you just keep going."

Franco said that being herself has been beneficial to her career. She enjoys making Latin music, although she works in other genres as well.

"I used to feel like I [have] to sound like everybody else," Franco said. "But that's not what people want. They actually want an original voice. I embrace my Latinidad. I embrace who I am and if people want to work with me, that's great."

"Up until [Owl Days], I thought [the residential colleges] were glorified dorms," Sjodin said. "But [my host] had been there for six weeks, and I remember walking through the hallways and she knew everyone at Sid and she introduced me to them. Everyone was so nice. I didn't really expect the upperclassmen to care about the prospective students. A lot of little things like that made a big impression on me."

While she matriculated as a chemistry major, Sjodin said she wondered whether she wanted to do chemistry long term.

"I was one of those kids who took AP Chemistry in high school and really liked it," Sjodin said. "I knew going into Rice I had two years to figure out what I wanted to do. One thing I appreciated about Rice was that they built in a lot of flexibility. I explored everything from chemistry to sociology to bioengineering."

By the end of her freshman year, Sjodin realized how much she valued chemical engineering. She said that the field appealed to her since it offers multiple career options post-graduation.

"Chemical engineering at Rice doesn't just recruit for oil and gas. Part of the attraction for Rice was that I knew I had industry as an option, grad school as an option, investment banking as an option," Sjodin said. "I chose chemical engineering in part because of the technical aspects, but because I also really value flexibility."

According to Sjodin, who has always been interested in different industries, she will be working as a consultant after graduation.

"Management consulting has been on my radar for a while," Sjodin said. "I like having different contexts to the problems we are focusing on, [and] one of the things I've noticed through my time at Rice is that I have really enjoyed fixing problems in different areas and working explicitly with people."

Sjodin said that it was also during her first year at Rice that she decided to take advantage of the resources offered by the Doerr Institute. She underwent one-on-one coaching with a leadership coach her freshman fall.

"It changed the way I interacted with people," Sjodin said. "I think for me that was very helpful in realizing that leadership isn't just telling people what to do. It helped me focus a lot more on why I was specifically interested in being involved."

Sjodin said her experience with the Doerr Institute helped in her positions at her residential college, where she is heavily involved. As a freshman, she joined the Associates Committee and became head of that and the Externals Committee in spring 2019.

A year later, Sjodin transitioned to the role of prime minister, overseeing the social committees at McMurtry - planning everything from FITQs to Y2K. However, a week after she stepped into this role, the pandemic brought life to a halt, she said.

"I had all these different goals - the way we talked about events, the way we threw events - then the focus shifted to 'Are we having events?' The guidelines were constantly shifting and we all had to be very flexible," Sjodin said.

According to Sjodin, serving as prime minister at McMurtry was a rewarding experience.

"It was a lot of time, but it was something I definitely cared about," Sjodin said. "There was a big focus on trying to maintain a sense of community. For the most part, the ideal is [that] people are involved in their college government because they care about it and they have goals they are trying to achieve."

Sjodin said that even though she has stepped back during her senior year, she is still involved in maintaining that sense of community and helping other Murts. Having been prepared to organize events prior to the pandemic, Sjodin has been helping underclassmen with reviving traditions now that COVID-19 restrictions are relaxed.

"There are a lot of questions like 'How were things done?' and 'Are there traditions we're forgetting?' One of the sophomores and I have been sitting down recently and writing down all the traditions, like crawl etiquette … or making a FWIS groupchat," Sjodin said.

Sjodin said that she has also been taking the time to enjoy senior year while reflecting on her identity.

"I think it's been very nice to focus on spending time with my friends and thinking through a lot of the existential crises that come with senior year," Sjodin said. "One of the big ones is 'Who am I when I'm not at Rice?' I've had more free time to do a lot of the things I really enjoy, like photography and painting. It's nice to have little pockets of time to go find people and try things out."

"There are places that [my wife and I] like to spend time," Leebron said. "We like to spend time in Paris and France. We like to go skiing. We like to occasionally go to Hawaii. Then there are more bucket list places. Machu Picchu is close to the top. Maybe the Galapagos Islands. There's Antarctica. There's an African safari. Bhutan. We won't do all of those things, but it would be nice to do a couple of them."

Leebron said his career path hasn't been this open since he was 27, when he quit his job at a law firm without knowing what he'd do next.

"It's an incredible opportunity being president of Rice, but it's simultaneously constraining in some ways," Leebron said. "It's been an incredibly rewarding experience, but now I think it's the right time for a transition, for me to take a breather."

According to Leebron, one of the biggest outcomes under his leadership is clarification of Rice's identity as a top research university. Other changes include an almost 80 percent growth in the student body and increased diversity through recruiting more minority students, more non-Texas students and more international students. But Leebron is also proud of what Rice has chosen not to change, such as the residential college system.

"It's not that [the residential college system] is perfect, but it's way more successful than most and brings Rice this whole distinct sense of welcome and community and provides students with a larger social unit than is provided at both smaller and larger colleges," Leebron said.

A very specific development that Leebron said he is proud of is the growth of Coffeehouse.

"The coffeehouse that existed prior to the creation of what is now Coffeehouse was a closet in the [Rice Memorial Center]," Leebron said. "They made truly terrible coffee that I would buy and then throw out. Now I think the coffee there is great. My only criticism of Coffeehouse is there's usually a line out of the door, which is a sign of success. Success not just because people want to buy something, but success because now it's a place people want to be and be part of the community at Rice."

Leebron said that he spends a lot of time walking around Rice and that he thinks it's a spectacularly beautiful campus. Some of his favorite spots include the walkways of covered arches at Lovett Hall, the palm trees at the Recreation Center and Brochstein Pavilion.

"I really do like Brochstein - everything from the architecture to the way people gather there," Leebron said. "It serves a vital role in providing a space for people to come together. [Previously,] graduate students and visitors to our campus in particular had no space to serve that function, but [Brochstein] served that function so well that everyone wanted to use it."

While Leebron has welcomed notable visitors - from former presidents like Jimmy Carter and Barack Obama to the Dalai Lama - in his 18 years at Rice, he said some of his favorite memories are welcoming new students to campus during Orientation Week.

"Move-in day I think simultaneously captures Rice and the spirit of Rice and really reflects the kind of community we are," Leebron said. "One of the student events that is really special for us is the barbeque [during Orientation Week]. When we can do that at the house, it's just a fantastic event."

Leebron said that he has appreciated the chance to directly engage with students, staff and faculty at Rice even though the pandemic has made it harder.

"It's not common for a top-tier research university that the president has that type of opportunity," Leebron said. "I've gotten to know a lot of people over the years. The university is not an abstraction but a collection of people."

As Rice's president, Leebron said he has learned to listen to others and make difficult decisions.

"The more you listen, the better you do," Leebron said. "You have to make decisions, and decisions have consequences. There's not enough resources for every reasonable request. You have to do things that you hope will be received well by most people and that folks will come to see eventually that they were good decisions. You have to do the things that cause people to trust you even when they disagree with you."

According to Leebron, Rice is unique in that students' input is often taken into account in decisions affecting them.

"What's different at Rice is that decisions are pretty consultative and … there is generally student participation in decisions," Leebron said. "It's a very important part of Rice to have a sense by the students that the faculty and the administration trust them and that they have a sense of autonomy and that they have a sense of participation in decisions."

Leebron said that he has enjoyed working with Rice's student leaders. He thinks the quality of student engagement and leadership is a major reason for the university's success during the pandemic.

"We've had some extraordinary student leaders over the years," Leebron said. "Some of them in recent years, have been so capable, so good at interacting with the administration, so good at thoughtfully pursuing student interest - knowing how to balance the expression of aims with more careful deliberation and thoughtfulness."

Looking back at his time at Rice, Leebron said that he doesn't have many complaints or sources of unhappiness. However, he wishes people took more advantage of Rice's open and accessible administration.

"People expect other people to address all the things they want to be different," Leebron said. "Almost anybody who wants to talk to me can get to talk to me. And yet to see people sometimes not take advantage of that or abuse it."

Speaking from his own experience of reconnecting with college roommates and high school classmates over Zoom during the pandemic, Leebron said that his one piece of advice for Rice students is to make the most of the relationships they develop here.

"I think sometimes students don't realize what an extraordinarily special time of their lives this is … in particular the relationships that [they] are developing with other people," Leebron said. "Your classmates or friends in college have the potential to play a very special role in your whole life, but it's not free. You got to stay in touch and invest with them. Start candidly figuring out who those people are that you want to stay in touch with. Make sure you turn these relationships into things that have lifelong value to you."

The Thresher is a job by definition (yes, we pay; no, not well). But it is also the place I have met some of my best friends and formed some of my favorite memories. Speaking to the journalism experience, the Thresher is a student media group, and in my four years I've seen how important both of those words are. We get a lot of attention for being "media," and as a group with a large campus presence and channels to communicate with a majority of the broader Rice community, it's important we take this seriously.

The other part of that is "student." We are students first and we are constantly learning in our roles with the Thresher. Because we want to be held accountable by the community, we value feedback from readers as the best way for us to learn and grow and make sure the paper continues to fulfill its role on campus. It might surprise some people to know just how open we are to hearing this feedback. If you have thoughts, comments, questions or criticisms, please send us an email or even reach out to a staffer if you know someone.

Deviating now, because it is my farewell note and my last chance to write from the editor's desk, I'm stealing a page from my predecessor's book to write some personal thank yous. Firstly, to Ben Baker-Katz, a wonderful managing editor and co-leader: thank you for helping share the stress of Tuesday nights and being just an incredible friend over this past year. I cannot wait to see what you and the amazing Morgan Gage do together in the role next year. Thank you Ivanka Perez for both your friendship and sage wisdom. Along with Rishab Ramapriyan and Christina Tan, you were my role models coming into this position, and I'm ever grateful for that extra semester I had to work with you last fall.

This job would've been nothing without everyone on staff, especially the seniors, who made the office so lively and weekly operations so successful. We came back to a largely in-person format after over a year of remote work and the year was better than anything I could've expected. Thank you also to Katharine Shilcutt for stepping in as adviser in such difficult circumstances and being a blessing to all of us in student media.

And finally, thank you Kelley Lash. I wish more than anything that I could say all of this in person, but you were the greatest adviser and mentor, and the reason student media was such an amazing and supportive place in the first place. Though I won't be there to see it firsthand after this week, I know the Thresher will carry on your legacy and make you proud.