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In February 2018, construction for the Fort Bend Independent School District's new technology building was underway. After laying a drainage pipe, workers noticed something buried in the dirt — a bone.
“A committee made an announcement: a better future awaits us.” So reads the first of four yellow billboards in the west lawn of Rice’s Brochstein Pavilion. What an inadvertently converse foreshadowing of the difficult weeks and months that have followed the opening of Kameelah Janan Rasheed’s text-based art installation “perhaps, there is no sequel.” This weekend, the Rice community will have the opportunity to engage with Rasheed’s inquiry into futurity once again with a crowd-sourced poem created by Deborah D.E.E.P Mouton, social activist and previous Houston Poet Laureate.
After recently celebrating the restoration of its original call sign letters last fall, KTRU has entered yet another new chapter in its vibrant history: completely remote operations. Rather than surrendering the airwaves to Robo — the station’s “robot” automated system which plays prerecorded music and announcements on loop — the DJs of Rice Radio have found a way to preserve the human touch that makes KTRU a destination for eclectic music lovers across Houston and beyond.
These days, it seems that everything is undergoing an unstoppable metamorphosis, shedding its old skin and emerging anew and unexpected. Donald Glover seems to be the personification of this transitory moment, since his recent album “3.15.20” has been rumored to be the final project under his psuedonomic stage name, Childish Gambino. With “3.15.20,” Glover is leading the charge into the future with no less anxiety than the rest of us, but with the impeccable finesse desperately needed to remind us of our humanity in the face of apocalypse.
South by Southwest, an annual music, film, technology and media festival held in Austin, was canceled Friday, March 6 amid concerns about COVID-19. The cancellation was ordered after both the City of Austin and Travis County declared a local state of disaster on Friday. Despite having no reported cases of coronavirus in the Austin area, the declarations were signed by Mayor Steve Adler and Travis County Judge Sarah Eckhardt as a precautionary measure against the rapidly escalating epidemic.
It takes a village ... to clothe a child in hundreds of dollars of Travis Scott merch.
In a city as sprawling and teeming with life as Houston, crowds have an energy, a vitality and a gravity of their own. Photography professor Geoff Winningham (Baker College ’65) knows this. He’s known this since 1971, when the young photographer found himself caught in the gravitational pull of the Houston Coliseum. There really couldn’t have been a more fitting title for the arena where men performed Roman-esque choreographies of combat, bathed in light and enveloped by the shouts of supporters and slanderers alike. Now nearly 50 years later, wrestling fans and photography enthusiasts alike are able to get another look into the ring with the opening of Winningham’s exhibit, “Friday Night at the Coliseum,” the first comprehensive gallery exhibition of his internationally renowned body of work.
When I asked Rice Creative Society founder Taylor Crain what struck her most about the documentary short film “Black Girl Church,” her answer was simple: “It’s encapsulated in the title — the documentary feels like home.”
Co-founded by Rice Cinema and the Museum of Fine Arts Houston, the Houston Iranian Film Festival will return to campus this weekend to conclude its 27th annual iteration with a celebration of Abbas Kiarostami, one of Iran’s most monumental filmmakers.
“Softening Borders” invites you to step into another’s shoes, no matter where in the world they may be standing.
The Museum of Fine Arts, Houston tells the story of how Norman Rockwell’s iconic depictions of President Franklin D. Roosevelt’s Four Freedoms — freedom of speech, freedom of worship, freedom from fear and freedom from want — changed American society forever with “Norman Rockwell: American Freedom.” The exhibit opened at the MFAH last month as the fifth stop on the acclaimed exhibition’s nationwide tour, organized by the Norman Rockwell Museum.
Two works by pioneer conceptual artist Solomon “Sol” LeWitt have found a home at the Glasscock School of Continuing Studies in partnership with Rice Public Art.
The Houston Cinema Arts Festival will bring diverse programming, from foreign films to experimental cinema to Rice Media Center this weekend, Nov. 15-18. Eight screening events will include discussion from award-winning filmmakers, and each screening requires a $12 ticket.
R U MAD, the Rice University Music and Dance Team, was born with superstardom in its sights. Founder, director and lead singer Jake Barber had his hopes set high from the beginning.
Eric Rachmany, lead singer and guitarist for Californian reggae-rock band Rebelution, sat down with the Thresher during weekend two of Austin City Limits Music Festival to discuss his involvement in the Last Prisoner Project.
After enduring a freakishly cold first day of weekend two at Austin City Limits Music Festival, the prospect of having energy before noon was inconceivable — until Armani White hit the stage.
Along with at least half of Rice’s student body, the Thresher made yet another road trip to Austin City Limits Music Festival Weekend Two over midterm break. Despite the inflated food prices and suffocating crowds, I can honestly say that this year was by far the best I have experienced in three consecutive years of attending my hometown’s festival. While I certainly didn’t have time to go to every single performance, I saw a lot of incredible performances during my three-day venture to Zilker Park. Here are a few highs and lows of my ACL 2019 experience:
This weekend, Rice Theatre will present “As You Like It,” a Shakespearean pastoral comedy about the follies of love and the pursuit of happiness amid chaos. In a series of hilarious events, the familiar trope of star-crossed lovers is rejuvenated with a humorous case of mistaken identity.
Last Saturday, NRG Center came alive with the sights, sounds and tastes of Vietnam during Houston’s first annual Viet Cultural Festival. Hosted by local community group Vietnamese Culture and Science Association, Viet Cultural Festival marked the first festival in Houston dedicated solely to Vietnamese culture as a whole since the Hope Initiative’s 2012 Vietnamese Festival at Discovery Green.
Surprise! The first weekend of Austin City Limits is already upon us. At this point, we’ve all heard the big names headlining this year’s festival, including breakout alt-pop star Billie Eilish, returning favorites Childish Gambino and Tame Impala and legendary rock band Guns & Roses, whose performance this weekend will mark their first Austin performance since 1993. But if you’re planning on attending ACL, don’t plan your schedule with only these well-established artists in mind. Be sure to check out the following genre-bending artists who have each earned their own spotlight with their unique sound.