Weekly Scenes and Screens: Mar. 24

“Public Life: Home and the people who live there” is a series of photo-murals installed on four building facades in Arts District Houston. Artists Citlali Fabián, Anton Gautama, Daniel Handal and Krista Svalbonas explore their personal perspectives on home and community on this larger-than-life photography exhibit, on display for free until May 30.
“Time No Longer” is an immersive interactive art installation by multimedia artist Anri Sala. Experience this space-inspired film and sound installation as you stroll around the perimeter of Buffalo Bayou Park Cistern. Tickets are $8 for students and must be reserved online in advance.
Join Donna Crump and Kayla Collymore at the Contemporary Art Museum Houston as they perform the premiere of the new work “Gend[H]er,” a dance performance in celebration of Women’s History Month, this Thursday, March 26 from 6:30-7:30 p.m. on camh.org.
GODZILLA VS KONG
If you’re needing a dose of over-the-top, action-packed mythical death matches, the long-awaited “Godzilla vs. Kong” will bring your favorite two oversized mutant animals to the screen this Friday, March 26. Watch them duke it out over New York City (probably, right?) on HBO Max and at theaters nationwide.
More from The Rice Thresher

Founder’s Court goes alt-rock as bôa kicks off U.S. tour at Rice
Founder’s Court morphed into a festival ground Friday night as British alt-rock band bôa launched the U.S. leg of their “Whiplash” tour. The group headlined the third annual Moody X-Fest before what organizers estimate was “a little bit over 2,000 students” — the largest turnout in the event’s three-year history.

“You need a therapist, not a keyboard”: Loretta Ross on calling in
Loretta Ross jokes that she can “talk as long as Fidel Castro.” These days, her urgency is reserved for speaking against the 'call out' — the act of public shaming as a corrective measure — which she said has become as "inevitable as gravity” during her lecture at Duncan Hall on April 14.

Review: ‘Daredevil: Born Again’ struggles with identity but shows promise
Following Netflix’s acclaimed third season of "Daredevil," expectations were understandably high for Marvel’s new Disney+ continuation, "Daredevil: Born Again." Unfortunately, the series suffers noticeably from a split personality, caught between excellence and confused mediocrity.
Please note All comments are eligible for publication by The Rice Thresher.