
Celebrate Hispanic artists this month
Sept. 15 through Oct. 15 marks Hispanic Heritage Month. In honor of this month, the Thresher has compiled a sampling of works by Hispanic artists you should definitely check out.
Sept. 15 through Oct. 15 marks Hispanic Heritage Month. In honor of this month, the Thresher has compiled a sampling of works by Hispanic artists you should definitely check out.
For the last few years, Nas has quietly been dropping some of the best work of his career. The legendary hip-hop artist still receives love for his revolutionary 1994 album “Illmatic,” but not enough attention is given to his recent output. Since 2018, Nas has dropped eight albums — five of these released in the past two years. Nas has been a musical machine, churning out lyrically adept, introspective and ultimately triumphant work that never feels stale. “Magic 3,” the third album in a series that started with “Magic” in 2021, is the product of an artist who knows he’s at the top of his game, even after three decades in the rap world.
Housing and Dining, Student Success Initiatives and the Student Association have launched their fourth year of the meal swipe donation program to address food insecurity among students, especially for those living off-campus. According to Interim Associate Vice President of H&D David McDonald, 8,140 swipes were donated this year, in comparison to the estimated 4,400 swipes that were donated at the start of the spring 2023 semester and the 800 swipes that were donated when the program began in spring 2020.
Though once well-known, Rice Cinema can now feel like it only exists in whispers among the campus’ film buffs. Plastered in bold letters above the PSYC 101 classroom in Sewall Hall, Rice Cinema’s history stretches back to the establishment of the now-demolished Rice Media Center. Rice Cinema has not just seen the likes of introductory psychology students but also some of the biggest names in film history like Spike Lee, Andy Warhol and Roberto Rosselini.
It wouldn’t be surprising to see someone shocked that Earl Sweatshirt dropped a new project. He didn’t post it on his Instagram. It isn’t on Spotify or Apple Music, and the famously reclusive former Odd Future star hasn’t promoted it. You can only find the surprise drop, “Voir Dire,” on Gala Music, a free NFT-backed music streaming service.
Whether you’re new to Houston or have been here for years, you most likely haven’t explored all that the Houston arts and entertainment scene has to offer. From lively performance venues to some of the tastiest food you’ve ever encountered, the Bayou City has a swathe of fun locales to check out and enjoy.
Makoto Shinkai clearly has a specialty — the “Your Name” and “Weathering With You” director is often said to make the same movie over and over again. It’s true that the three most recent entries in his filmography have all been fantastical, coming-of-age melodramas centered around some sort of ecological disaster, but there’s nothing wrong with that. Audiences know what they’re getting with a Shinkai film: gorgeously-rendered anime vistas, strong female leads and an emotionally-charged storyline guaranteed to make viewers feel something. While it doesn’t reach the poignancy of “Your Name,” Shinkai’s newest film “Suzume” is one of the highlights in his œuvre.
Easter eggs and references -made to please both the casual player and the Mario devotee are what power Aaron Horvath and Michael Jelenic’s film adaptation of the massively popular video game. “The Super Mario Bros. Movie” has already broken records, scoring the top worldwide opening of all time for an animated film and having amassed over $350 million in worldwide sales at the time of writing.
Last week was Pride Week at Rice — so what better time to highlight media created by and on members of the LGBTQ+ community? Here are some of the best pieces of media from queer artists that do an incredible job of illustrating LGBTQ+ experiences.
One of the first signs that signal to the audience about what kind of movie “Rye Lane” will be is how colorful it is. This is director Raine Allen-Miller’s first feature film, yet she has already crafted a distinct visual signature, characterized by an almost perpetually moving camera, central framing and vibrant hues filling each frame.