New York, Milan, London and now Paris have had their fashion weeks, and the collections have made the statements: The nostalgic fashion of the 90s, which has been creeping back in the form of Puma creepers, jelly sandals and mom jeans, is officially back, not just for mainstream streetwear but also high fashion
In a city as diverse as Houston, great Asian food is so easy to come by that it’s difficult to pick a favorite restaurant.
For those of us who cannot be found roaming Anderson Hall at night, the celebration of architecture is epitomized by two campus events: Architectronica and Archi-Arts, which is Architectronica minus the big party.
A documentary that neither Netflix viewers nor Oscar voters can ignore, “What Happened, Miss Simone?” weaves through the life and music of jazz legend and civil rights activist Nina Simone.
Known for traversing the limits of Euclidean space, Cirque du Soleil materializes on stage the film that pioneered mainstream 3-D cinema, James Cameron’s “Avatar.” Titled “Toruk: The First Flight,” the show is the obvious marriage of two visual feasts.
Montrose might as well be a coffee shop neighborhood. A new place called Campesino Coffee House recently opened on Waugh Drive two weeks ago.
If “Yeezus” was a compilation of Kanye West’s most intense and angry beats yet, “The Life of Pablo” could be said to reveal his innermost fears, hopes and struggles.
Any aspiring filmmaker knows that the film industry is an unforgiving one. Financial- and distribution-related woes inevitably weigh down even the purest of passion projects. Even if the film manages to wring itself through the logistical nightmare, it will be splayed out to the saturated market to be torn apart by the circling critics. Under this spotlight is Taylor Ri’chard’s directing debut, “The Final Project,” in which a group of college students investigates the paranormal activity of a historic plantation in Louisiana.
Since graduating from Rice in 1999, renowned opera singer Kristin Sampson has performed leading roles in numerous productions all over the world.
Ever since I left the birthplace of Sichuan food, I have always craved the exciting juxtaposition of the two sensations. Naturally, I was thrilled when I found out that there were not one, but two Sichuan restaurants inside the Houston loop where I could satisfy my spicy Chinese food cravings without making the lengthy drive out to Chinatown. During my recent visit to Cooking Girl, I sought out the classic dishes in order to adequately compare the two establishments.
The unique power of myth is simplicity. By reducing characters to a few key traits and flaws, myths allow a reader to reflect on those qualities in their own life. In contrast to myth, real life is complex and difficult to understand, filled with self-contradiction, unclear motivation and shades of gray.
Valentine’s day is tough. Even if you’re in a relationship, dates can quickly end up feeling overdone, cliché and just plain awkward.
Crowds flocked to last Saturday’s opening of a new Halal Guys restaurant on Farnham Street. The New-York based food-stand chain has long been a favorite for late night meals.
The Rice Gallery’s last installation, “Intersections,” used only a cube and light bulb to fill a blank, white room with transient shadows.
Your first time at Pugon de Manila could be a whirlwind of expectations. Scanning the menu, the dinner combo – dessert, soup, rice and two meats for $8 – seems too good to be true.
With the 2016 Oscars just around the corner, most pundits have truncated the official list of eight Best Picture nominees to an unofficial shortlist of three: the gripping “The Revenant,” the provoking “The Big Short” and the oddball – “Spotlight.” Mainstream media have largely sidelined “Spotlight,” which is a true story about the Boston Globe’s investigation of the Catholic Church child sex scandals in the early 2000s.
February brings with it many gifts — TV series premieres, leap year celebrations, President’s Day — and one defining date more polarizing than American politics.
Let me begin with this disclaimer: I watch a lot of TV. When people ask me, “Have you seen this show?” And I have, I try to brush it off casually, as in “Oh, I have passively watched a few episodes, but I definitely didn’t see the entire three seasons in one binge session on Saturday night, when I should have been socializing, or eating or otherwise experiencing life outside my bed.” But I’m coming clean.
In a world where matchmaking is everything and “sensible” ladies are confined to the drawing room, the last thing the Bennet sisters need is to fight off a horde of zombies, yet that’s exactly what happens in the upcoming film “Pride and Prejudice and Zombies.” Austen purists might object: “Subtlety is all but ruined in this heightened culture of ours.” Zombie aficionados might lament: “I find it hard to believe Lizzy Bennet can knock down an actual zombie while wearing a corset.” Notwithstanding, whether one be posh or nerd or somewhere in between, I believe there does exist a Venn diagram where the Victorian gentry and the walking dead overlap.
Keliy Anderson-Staley’s photo exhibition “[hyphen] Americans” opened Thursday at the Rice Media Center.
