
Electronic artist Kasbo has a mixed debut on ‘Places We Don’t Know’
If he keeps tapping into his Swedish roots and letting artists like Petit Biscuit and ODESZA guide his sound, then he may earn a place among other “chillwave” greats.
If he keeps tapping into his Swedish roots and letting artists like Petit Biscuit and ODESZA guide his sound, then he may earn a place among other “chillwave” greats.
This weekend, the inaugural In Bloom Music Festival kicked off in Eleanor Tinsley Park with headliners such as Beck, Incubus and Martin Garrix. The festival featured four stages spread out in Eleanor Tinsley Park, with highways overhead, the skyline in clear sight and the bayou within smelling distance.
Released earlier this month, “White is Relic/Irrealis Mood,” is of Montreal’s 15th studio album, and while it certainly isn’t stale, it isn’t exactly good.
A visitor looks on at the work of Houston-based video and performance artist Yue Nakayama during her Sunday opening at Matchbox Gallery.
Best and worst of, music reviews, film reviews, and student perspectives
Where Aptaker and Berger really knock it out of the ballpark is with their ability to portray the growing pains of finding one’s identity as a young person.
Finley's screenplay uses a backdrop of high society and restless adolescence to ask if emotional attachment has value in a cold, calculating world.
The album makes What So Not’s work more accessible to “beginner audiences” and cements the Australian producer’s place in electronic music.
Missing out on the enormous array of cocktail bars, ice houses and dives that make up Houston’s bar scene would be a real shame, and for those willing to hunt, a number of excellent bars nearby offer happy hours cheap enough to stay within your beer money budget.
I’ll never forget my New York roots, but I can justly say that the South has shaped me in ways that New York could never have. From how I dress to how I talk, here are some of the ways I assimilated to my new Southern life.
Rock isn’t provocative for the sake of being provocative — he wants the audience to question what the ridiculousness of the role reversal means about society.
“Death to Genres, Vol. 3” features a lot of collaborations with some pretty noteworthy electronic artists but these do not produce the dynamic music that they had the potential to.
The album evokes the entire spectrum of moods expected from a record-breaking film: at times brooding and dark, other times hopeful and sweet.
Despite issues with the script, the Rice Theatre Program and Rice Players’ production features some of the best acting and musical talent that its producers have to offer.
Director and writer Ryan Coogler crafts a beautiful work that simultaneously serves as a fun addition to the Marvel Cinematic Universe and a powerful statement on the contemporary political climate.
The tragicomedy biopic “I, Tonya,” is based on “irony-free, wildly contradictory, totally true” interviews with Harding and ex-husband Jeff Gillooly. The film uses them to ask us: What if our notions about her were wrong?
All of the tracks on “Honey” are very repetitive, using the same drop twice in each song, a common structure in electronic music that cries out for some type of vocalist.
“The Assassination of Gianni Versace” really earns its TV-MA rating.
You know the drill. Eat at home. Stay away from social media. Yes, us stags and spinsters have learned to deal with the week of Feb.
During Super Bowl LII, Netflix dropped the first trailer for “The Cloverfield Paradox,” the third installment in the fascinating, ever-shifting Cloverfield franchise that began in 2008.