
Best and worst of Freaky Deaky 2018
As festival goers wind down after this past weekend’s Freaky Deaky, Houston’s Halloween electronic dance music festival, the Thresher offers the highlights and flops of the weekend.
As festival goers wind down after this past weekend’s Freaky Deaky, Houston’s Halloween electronic dance music festival, the Thresher offers the highlights and flops of the weekend.
The performance art show “Dimensions Variable” was held Oct. 27 in Matthew Ritchie's “The Demon in the Diagram,” a sprawling exhibition currently occupying the entirety of two galleries in the Moody Center for the Arts. The 40-minute piece, produced by the Hope Mohr Dance troupe and composer Evan Ziporyn, was intended to use dance to elaborate on the message of Ritchie's piece.
As November approaches and temperatures in Houston finally drop, expect cooler winds and dry air. While it’s nice not to be drenched in sweat every time you step outside, this change in climate also transforms the texture and moisture of your hair and skin. Chilly days may leave your skin chapped and peeling, and your hair brittle and dull. Here are special winter beauty tips to combat the cold temperatures and leave you looking refreshed and vibrant. Disclaimer: Tips are based on personal experience and results can vary from person to person.
While the internet’s obsession with all things “hygge” (which is Danish for a moment or experience that is particularly cozy) seems to have waned a bit, the pursuit of being cozy still seems to be very “on trend.” Whether you’re looking forward to colder temps over winter break or have difficulty toughing it out in the frozen tundra that is Herzstein Amp, you’ll find many cozy options like sherpa hoodies, boucle cardigans and extra soft chenille sweaters to keep you warm.
A local nonprofit is involving local Houston communities in the exploration and appreciation of Latinx culture with its annual festival celebrating Día de los Muertos. Multicultural Education and Counseling through the Arts (MECA) hosts the annual event that boasted upwards of 10,000 visitors in 2017. The festival runs for two days in late October and offers festival-goers the chance to experience various facets of Latinx traditions, including food, music and crafts.
The walls of Priyanka Jain’s studio flow with pink and purple. From a distance, her in-progress piece looks like an ocean wave made of tiny trapezoids. Up close, you’ll find that each trapezoid is slightly different from the one next to it. Jain, a Will Rice College senior studying computer science and visual and dramatic arts, says these slight imperfections are exactly what she is going for.
Halloween “scary” has become cliche when it comes to music. Real spooks come from multiple aspects that are much deeper and can be conveyed deeper in music. They tap into personal, distressing fears.
The Sewall Hall courtyard is often home to strange sounds, and Thursday evening was no exception. Laughter mingled with soft indie music and juxtaposed with the sharp, peculiar clanging noise of falling forks as students and visitors took in Inferno Gallery’s first fall opening, “CAN – YOU – DREAM – AMERICA.”
The third season of the Marvel show “Daredevil,” released Oct. 19, delivers as the finest installment yet. Its intricate yet bleak story provides a powerful emotional frame that serves as some of the most impressive superhero storytelling seen outside of comic book panels.
Rainbow fairy lights hung from the ceiling, enshrouding the room in a soft glow. Artists of all crafts lounged on the blue couches of Lyle’s while munching on Thai Spice, pita chips and cookies. R2, Rice’s literary magazine, created this atmosphere for its fall Open Mic Night last Thursday at 7 p.m. in Lyle’s within the basement of Lovett College.
It’s spoopy season — a time for pumpkin carving, trick or treating and “Hocus Pocus” reruns. But, if you’re anything like me, you want more out of your October than wholesome spooks and friendly ghouls. You crave the most petrifying scares, the goriest misfortunes and the creepiest tales.
For McMurtry College senior Miranda Morris, art is a way to explore the human body. Her studio is a collection of portrayals of the curves and shadows formed by shoulders, arms and torsos. In one corner, a charcoal sketch of an elbow propped against a knee. In another, a golden sculpture of a foot curved against a woman’s face.
The whole point of a music festival is to walk around and explore the acts around you to discover more artists to love. However, for festival goers looking for a sure way to enjoy themselves, these three artists are going to deliver a ticket money’s worth and then some.
PLURR stands for peace, love, unity, respect and responsibility and embodies the spirit of rave culture care – maybe Dean Hutch wasn’t thinking big enough when he came up with the three R’s.
What can fantasy tell us about reality? We are often told that fantasy is the opposite of reality, an imagined, idealized world existing solely in one’s dreams. What is often lost in that analysis is the opportunity for us to uncover the circumstances of one’s reality that inform and create their fantasies. What battles are we losing that we can win only in our imaginations?
A sock for a water bottle, a hammock for bathroom items, slippers that clean the floor as you walk – these are some of the many items one can find in Daiso, the most recent Asian craze to enter the Houston scene since 85C Bakery Cafe. Daiso is a Japanese dollar store that has an international presence. But to call it a dollar store does not do it justice, because Daiso is more than an exporter of Japanese commercial items – it’s an exporter of Japanese lifestyle.
“Tudors to Windsors: British Royal Portraits from Holbein to Warhol” is not only the Museum of Fine Arts Houston’s latest exhibit, but also clearly a point of particular pride. Through an exclusive partnership with the National Portrait Gallery in London, the MFAH can now boast that it is the only U.S. venue to host the impressively numbered collection, most of which has never been viewed outside of the United Kingdom. The works’ unprecedented display is enthusiastically emphasized in the exhibit’s catalogue, advertisements and opening text.