33 items found for your search. If no results were found please broaden your search.
From stubbed toes to life-threatening injuries, one group of dedicated students has seen it all. Throughout the past 26 years, Rice University Emergency Medical Services has rallied around the Rice community, providing support during natural disasters such as Winter Storm Uri and Hurricane Katrina and administering 4,372 vaccines during the COVID-19 pandemic. For Collegiate EMS Week, which takes place during the second week in November, the organization hosted a series of events to increase their visibility and continue expanding their impact on campus.
Last Sunday, the No. 21 Rice volleyball team swept Louisiana Tech University on Senior Day, winning three straight sets and recording the second-highest hitting percentage they’ve had this season at 0.432.
Kenzie Pickett accomplishes the impossible — she revives centuries-old artifacts for the modern world. As a Camfield fellow at the Museum of Fine Arts, she spends 10 to 15 hours each week researching historical objects, preparing for the museum’s new traveling exhibit and writing tombstones, which are 100-word labels that describe each artwork. At Rice, Pickett is double majoring in art history and ancient Mediterranean civilizations and double minoring in museum studies and cultural heritage. Her interest in curatorial work and museums was first ignited as a child, when she watched “Jurassic Park” and “Night at the Museum,” in which characters are magically resuscitated, reentering the 21st century as new beings.
Hosted by Rice Design for the first time, a three-day Design-a-thon titled “Level Up!” was held entirely virtually this past weekend. Students from universities across the country participated in the competition, which challenged them to create a web or mobile application in response to a prompt in financial technology or health and lifestyle. The event also offered practical workshops about design principles from local industry professionals.
Every year, festival-goers congregate at Zilker Park for the Austin City Limits Music Festival. This year, the Thresher once again made the trip to see for ourselves what the hype was about (and also to see SZA, who did not disappoint). For those who might want a recap or weren’t able to make it out to the festival this year: first, check out our Spotify playlist, and second, read on for our take on the best and worst performances from both weekends.
Izzy Heltai has spent almost a decade working to be heard. From sleeping in parking lots to performing for hundreds of people, he is intentional in finding joy throughout his journey. Now that he’s reached a turning point in his career, the singer-songwriter’s hard work is finally paying off, with multiple tours lined up through the spring and a stint at this year’s Austin City Limits Music Festival. Heltai is currently on tour with Bear’s Den before hitting Zilker Park on Oct. 15.
Sometimes, obscured messages come billboard-sized. Brochstein Pavilion’s newest wall art debuted last Friday for the Moody Center for the Arts’ fourth iteration of their Off the Wall series, a partnership between Moody and the Glassell School of Art’s Core Residency Program. “Death Drive” was created by interdisciplinary artist Danielle Dean to critique capitalistic greed and its exploitation of environmental and labor resources. Specifically, Dean examines the case study of Fordlandia, a utopian city conceptualized by automobile maker Henry Ford and built in the Amazon Rainforest in the late 1920s. A now-derelict rubber factory, Fordlandia’s failure had devastating consequences for the natural environment and indigenous Brazilian populations.
Neverland has never been so magical. The last time choreographer Trey McIntyre’s “Peter Pan” appeared at the Wortham Theater Center for the Houston Ballet was ten years ago during the 2012-2013 season. This season, the show returned from Sept. 9 to Sept. 18 in full fashion, featuring fairies, flying flips and fantastical sets.
Arte Público Press, the oldest and largest Latine publishing house in the nation, has never taken things by the books. Instead, they’ve promoted Latine writing and culture despite national pushback. The Press celebrated their 40th anniversary on the first day of Hispanic Heritage Month with a performing arts gala held at the University of Houston’s Moores Opera House, featuring performances from Solero Flamenco, Brazilian dance company Sambabom, the Houston Grand Opera and more.
Rice is opening its first international campus in Paris, which aims to be fully operational midway through next spring semester. The Rice Global Paris Center will be Rice’s hub in Europe, expanding education and research opportunities for students and faculty alike and facilitating strategic collaborations with global partners.
The Thresher likes coffee, and we’ve written about our favorite Houston spots before. That said, there are still a latte of great finds beyond the hedges. To avoid the risk of giving you déjà brew, here are some new coffee shop finds you might not have heard of yet.
There’s an art to brunch, from assembling the perfect group of friends to figuring out a time in the midst of hectic schedules to dine out together. Above all, though, there is an art to choosing the perfect restaurant to visit. With plentiful options in Houston, even just the array of choices can be overwhelming. That’s why we visited these four popular brunch spots to offer the inside scoop on the appeal of each.
For the Rice Owls Dance Team, the show will go on while parts of their journey come to an end. Their upcoming showcase, which celebrates the team’s 30th anniversary, also marks the end of an era for head coach Lilibeth Patt while ushering in her replacement, current team captain Taylor Montgomery. The show will be held on Friday, April 15 and Saturday, April 16 in Tudor Fieldhouse.
With over-the-top live music performances, fashion and drama packed into its three-and-a-half hour runtime, the 64th Grammy Awards offered viewers plenty of entertainment. Held at the MGM Grand Garden Arena in Las Vegas, Nevada for the first time after being postponed in January, this year’s show tried to broaden its audience and boost its pandemic numbers — the worst of all time. Returning host Trevor Noah carefully toed the line with light, safe quips, likely in an attempt to avoid another slap like last weekend’s Oscars. For those still recovering from Saturday’s Beer Bike and Sunday’s midnight deadlines, the Thresher condensed the night’s events into its most memorable moments.
Last Saturday, March 26, Rice’s five a cappella groups combined forces for an evening of performances that couldn’t have been more pitch perfect. The Philharmonics, Basmati Beats, Nocturnal, the Apollos and Low Keys each took the Grand Hall stage to perform their sets featuring creative arrangements and mashups of popular hits. The groups came together at the end of the evening for a joint performance of Silk Sonic’s “Leave the Door Open,” with singers from the featured groups alternating solos.