Rice University’s Student Newspaper — Since 1916

Thursday, August 11, 2022 — Houston, TX

Jacob Pellegrino


A&E 4/19/22 11:32pm

Review:‘The Northman’ sees Robert Eggers take his work to a larger stage

Robert Eggers is a filmmaker whose work has been defined by its small scale and intensive focus on characters. His prior films, “The Witch” and “The Lighthouse,” both feature a small cast and embrace environmental horror as terrifying events slowly pull the main ensemble apart. His reputation for his smaller scale and focus is partly why “The Northman” was so interesting upon its announcement — “The Northman” blows up Egger’s storytelling onto a massive scale. The locations, number of characters, and time period all dwarf his prior films. For the most part, Eggers steps up to the plate, succeeding in his ambition. “The Northman” will be available to watch in theaters April 22. 


A&E 4/19/22 11:30pm

Review: Jack White’s ‘Fear of the Dawn’ pushes rock forward with experimentation

Last year, Jack White promised fans not one, but two albums to be released in 2022 within months of each other. Throughout the pandemic, White created a wealth of music that went in “all different directions: some incredibly heavy; almost like speed metal; some sounded so gentle.” Instead of packaging them as one unit, a bulky double album as seen from artists like Drake and Kanye West recently, White decided to break them into two separate works: a heavier, rock-focused record and a folk album.


A&E 4/6/22 12:22am

Review: Denzel Curry embraces a softer sound and opens up on ‘Melt My Eyez See Your Future’

Known for his aggressive vocal performances and experimental rap stylings, “Melt My Eyez See Your Future” is Denzel Curry’s most emotionally vulnerable project yet, portraying his own inner musings instead of an alter-ego’s. Curry described his inspiration for the album as “a combination of what’s going on right now in the world and Akira Kurosawa films.” Known for his distinctive style, Kurosawa created movies that are often considered in the canon of art cinema, a sense of artistic intentionality that Curry embraces throughout the album.



A&E 3/8/22 11:20pm

Review: Conway the Machine reintroduces himself and opens up on ‘God Don’t Make Mistakes’

In the past few years, Conway the Machine has been one of the most interesting rap lyricists active, crafting meticulous bars about street life and the perils of drug dealing. A member of Griselda Records with brother Westside Gunn and cousin Benny the Butcher, Conway has been gaining notoriety in the past few years, and largely crafted “God Don’t Make Mistakes” as an introduction for new fans who may have discovered him through high profile collaborations, like his appearance on “Keep My Spirit Alive” from Kanye West’s “Donda.”


A&E 3/8/22 11:19pm

Review: EARTHGANG creates socially conscious Southern hip hop on ‘GHETTO GODS’

Similar to many people’s experience, the pandemic and lockdown was a time of reflection for Johnny Venus and Doctur Dot, the duo behind EARTHGANG. Instead of  touring or interacting with fans, the members of EARTHGANG put their energy towards “the godly part of really just transforming yourself.” This transformation has led to an album that deals with a form of godliness and success achievable through hard work and the uplifting support of their community. 


FEATURES 2/22/22 11:37pm

‘To BeReal or not to BeReal’: Students discuss the trendy social media app

A new app has been trending on campus, promising authenticity and a new way to connect with friends and family. While Instagram revolves around photos that people can meticulously curate, BeReal is an image-based social media platform that picks a random time every day when users have to post – a condition that is supposed to encourage more natural photos. A daily upload is necessary for a user to see other people’s posts and to interact on the app; users are forced to actively participate rather than passively scroll.


A&E 2/15/22 11:46pm

Review: Saba embraces a wide spectrum of emotion on “Few Good Things”

It’s been almost four years since Saba’s last release, “CARE FOR ME,” a therapeutic memorial for his late cousin Walter Long, who was murdered in 2017. The album saw him dealing with the loss of a mentor, friend and family member whose death left him empty. Saba’s detailed and personal writing about depression and grief struck a chord with listeners and drummed up anticipation for what Saba would do next.



A&E 1/18/22 11:30pm

Review: Earl Sweatshirt embraces lush production and a newfound openness on ‘SICK!’

Earl Sweatshirt’s “SICK!” sees him use his shortcomings as fuel for a personal rebirth and desire for self-improvement. A lot has changed for Earl since his 2019 EP, “FEET OF CLAY.” At that time, he had been struggling with alcohol addiction and “an endless loop of self-harm and isolation.” Now, he has been working towards recovery by reducing alcohol and drug use while trying to be a good father to his young son.