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Saturday, July 24, 2021 — Houston, TX 77°

Jacob Pellegrino

A&E 4/20/21 9:25pm


ROADRUNNER: NEW LIGHT, NEW MACHINE” marks BROCKHAMPTON’s first return to the studio since their 2019 project “GINGER” and a series of informally recorded tracks released throughout the pandemic. “ROADRUNNER” includes deeply personal themes for BROCKHAMPTON’s members, backed with some of the group’s cleanest production and elements such as guitar flourishes. Though this new project may isolate fans who prefer a more rap-influenced style from the self-proclaimed boy band, “ROADRUNNER” sees the group’s most cohesive fusion of pop and hip-hop. 

A&E 10/20/20 9:07pm

Review: Clipping explores terror with ‘Visions of Bodies Being Burned’

In “Visions of Bodies Being Burned,” experimental hip-hop outfit Clipping expands on the sinister world it created with its previous album, “There Existed an Addiction to Blood.” Both albums venture into horrorcore, an oft-forgotten subgenre of hip-hop based on dark, violent and transgressive themes typical of horror movies such as murder or supernatural hauntings. Clipping applies these conventions to modern social concerns in order to address the difficulties and inequalities of today. A horror movie for your ears, Clipping’s second exploration of terror does not disappoint. 

A&E 9/22/20 8:16pm

Review: The Flaming Lips dig deep with “American Head”

One of the most influential experimental psychedelic rock groups since the 1980s, The Flaming Lips have never been a band to bow to convention. Their new album “American Head” continues the group’s tradition of strong narrative songs sublimated by ethereal vocals and psychedelic musical experimentation. It follows their 2019 concept album “King’s Mouth,” an effort inspired by frontman Wayne Coyne’s art exhibit of the same name and narrated by Mick Jones of The Clash. 

A&E 9/15/20 7:37pm

Review: Big Sean pays tribute to Motor City on “Detroit 2”

“Detroit 2” is a feature filled homage to Big Sean’s hometown of Detroit, enlivened through spoken word stories and evocative lyricism. Although Sean had originally planned to announce the project on March 13 to coincide with “313 Day,” a celebration of Detroit, the announcement was postponed to later that month due to the COVID pandemic. Following months of anticipation, Big Sean’s passionate ode to his home dropped on the promised date of Sept. 4 along with a capsule of merchandise.