
Outdoor Show spotlights music, local artists
ktru hosted its 32nd annual music festival, the Outdoor Show on Saturday, March 30, with student cover band Sunset Blvd opening and Philly-born artist Binki headlining.
ktru hosted its 32nd annual music festival, the Outdoor Show on Saturday, March 30, with student cover band Sunset Blvd opening and Philly-born artist Binki headlining.
The end of the “best boy band since One Direction” (i.e., BROCKHAMPTON) was especially sad for the insufferable people who spammed their songs in high school, but equally exciting as it inevitably presented the opportunity for solo projects. Among the prospective solo projects, perhaps the most exciting — for me, anyway — was that of the former-collective member, Matt Champion.
Indie darling Waxahatchee first earned her country stripes on “Saint Cloud,” a resounding critical favorite of 2020. Her sixth studio album, “Tigers Blood,” fixes up new folktales of heartbreak in the same genre-defying signature.
At 22 years old, singer Tyla has already seen a level of success most musicians can only dream of. In the past year, she’s had her viral, platinum-certified hit “Water” top the Billboard U.S. Afrobeats Songs chart, collaborated with Travis Scott and Summer Walker and won the first-ever Grammy for Best African Music Performance.
Kacey Musgraves is one of the most innovative singer-songwriters within the country genre, a quality that’s been evident since she released her debut album, “Same Trailer, Different Park,” 11 years ago. Musgraves’s latest record, “Deeper Well,” melds the star’s signature country stylings with folk, resulting in a stellar collection of 14 tracks that are packed with thoughtfulness and nostalgia.
While indie folk-indie rock group Big Thief has consistently dropped passionately bittersweet and critically acclaimed work since their 2016 debut “Masterpiece,” the band reached their career high in 2022 with “Dragon New Warm Mountain I Believe In You,” which stands as one of the most celebrated albums of the decade so far. Adrianne Lenker, Big Thief’s lead vocalist, has had no shortage of success herself, with her previous album “Songs” appearing in the year-end top 10 albums list of many major publications. While Big Thief tracks like “Not” and “Little Things” can be noisy and dense, Lenker’s solo work is reliably soothing yet simultaneously heartbreaking.
Female filmmakers have been innovating since the era of silent film in the late nineteenth and early twentieth centuries. However, the 1934 establishment of the Hays Code — a set of guidelines for Hollywood films from the 1930s to 1960s that censored content deemed offensive — played a major role in stifling women’s creative say in the film industry. With Greta Gerwig’s “Barbie” becoming the highest-grossing film in the states and worldwide, 2023 was a landmark year for female directors in Hollywood and signifies an ever-changing landscape of female film direction. In honor of Women’s History Month, here are some new or upcoming female-directed films that represent the variety, innovation and artistic verve that women have imbued into the film canon.
Four galleries of art tell the story of previously-unestablished Henri Matisse and André Derain and their shared 1905 summer spent in Collioure, a fishing town in the South of France. Titled “Vertigo of Color: Matisse, Derain, and the Origins of Fauvism,” the exhibit opened Feb. 25 at the Museum of Fine Arts Houston.
In “Laughs in Spanish,” Latinidad, queerness and motherhood all intersect at Art Basel. The result is a witty and incredibly funny play that will leave you jajajaing throughout.
Photo Caption: Houston Ballet Principal Karina Gonzalez performs as Mother in Stanton Welch’s imagining of “Cinderella.”
Neo-noir is one of my favorite genres — it’s often a perfect blend of crime, action, dark comedy and snaking narratives that equally enthrall and disgust the audience.
RuPaul is a celebrated singer, entertainer and undeniably the most famous drag queen of all time. However, with his recently released memoir “The House of Hidden Meanings,” he demonstrates that he is an author in name only. The work is painful to read, and its content is full of glaring contradictions and hypocrisy.
“Kung Fu Panda 4” brings us back into the vibrant world of Po and his kung fu adventures. The movie kicks off with a playful nod to the franchise’s own commercial success as Mr. Ping unveils his new noodle shop: Dragon Warrior Noodles and Tofu. However, the absence of the Furious Five, beloved warriors of the franchise, disappoints both characters in the film and the audience.
“Kung Fu Panda 4” brings us back into the vibrant world of Po and his kung fu adventures. The movie kicks off with a playful nod to the franchise’s own commercial success as Mr. Ping unveils his new noodle shop: Dragon Warrior Noodles and Tofu. However, the absence of the Furious Five, beloved warriors of the franchise, disappoints both characters in the film and the audience.
Four galleries of art tell the story of previously-unestablished Henri Matisse and André Derain and their shared 1905 summer spent in Collioure, a fishing town in the South of France. Titled “Vertigo of Color: Matisse, Derain, and the Origins of Fauvism,” the exhibit opened Feb. 25 at the Museum of Fine Arts Houston.
To say that Ariana Grande has had a tumultuous four years since the release of her last album, “positions,” would be an understatement.
It’s March already, meaning it is time to examine the Academy Awards, an event sure to be full of awkward moments, baffling losses and confounding decisions, once again hosted by Jimmy Kimmel for some reason. However, the 96th Academy Awards Ceremony has something special going for it — this past year was an excellent one for film. It will be difficult in many categories for the Academy to make a bad choice, though there certainly are some categories the Thresher A&E section feels strongly about. Here are our picks for who will win at the 96th Annual Oscars and who actually deserves it.
“Madame Web” is terrible. This movie has no redeeming factors. It isn’t even worthy of a fantastical, provocative introduction. It just sucks.
There have been a number of attempts to do justice to Frank Herbert’s massively influential novel, “Dune,” over the years. The most famous of these attempts include a David Lynch adaptation, notably edited in post to the point where the director himself allegedly asked for his name to be removed from the final product, and an attempt by director Alejandro Jodorowsky to make an over 10-hour version in the ’70s. Denis Villeneuve’s “Dune” and “Dune: Part Two” finally succeed in conveying the vastness and wonder of Arrakis by giving one of cinema’s modern auteurs control over a property that he had already designed storyboards for as a teenager.
Midterms got you burnt out? Work-life balance tipping more to the former end? Check out some of these clubs for some social enrichment and cultural edification.