Christina Tan | March 28, 2018
This weekend, the inaugural In Bloom Music Festival kicked off in Eleanor Tinsley Park with headliners such as Beck, Incubus and Martin Garrix. The festival featured four stages spread out in Eleanor Tinsley Park, with highways overhead, the skyline ... READ MORE >>
Lenna Mendoza | March 28, 2018
Released earlier this month, “White is Relic/Irrealis Mood,” is of Montreal’s 15th studio album, and while it certainly isn’t stale, it isn’t exactly good. READ MORE >>
Xinyu Chen | March 28, 2018
A visitor looks on at the work of Houston-based video and performance artist Yue Nakayama during her Sunday opening at Matchbox Gallery. READ MORE >>
Christina Tan | March 21, 2018
Best and worst of, music reviews, film reviews, and student perspectives READ MORE >>
Maddie Flavin | March 21, 2018
Where Aptaker and Berger really knock it out of the ballpark is with their ability to portray the growing pains of finding one’s identity as a young person. READ MORE >>
Maddie Flavin | March 21, 2018
Finley's screenplay uses a backdrop of high society and restless adolescence to ask if emotional attachment has value in a cold, calculating world. READ MORE >>
Naomi Wentz | March 21, 2018
The album makes What So Not’s work more accessible to “beginner audiences” and cements the Australian producer’s place in electronic music. READ MORE >>
Walden Pemantle | March 21, 2018
Missing out on the enormous array of cocktail bars, ice houses and dives that make up Houston’s bar scene would be a real shame, and for those willing to hunt, a number of excellent bars nearby offer happy hours cheap enough to stay within your beer ... READ MORE >>
Amelia Calautti | March 7, 2018
I’ll never forget my New York roots, but I can justly say that the South has shaped me in ways that New York could never have. From how I dress to how I talk, here are some of the ways I assimilated to my new Southern life. READ MORE >>
Simona Matovic | March 6, 2018
Rock isn’t provocative for the sake of being provocative — he wants the audience to question what the ridiculousness of the role reversal means about society. READ MORE >>
Naomi Wentz | March 6, 2018
“Death to Genres, Vol. 3” features a lot of collaborations with some pretty noteworthy electronic artists but these do not produce the dynamic music that they had the potential to. READ MORE >>
Christina Tan | February 28, 2018
The album evokes the entire spectrum of moods expected from a record-breaking film: at times brooding and dark, other times hopeful and sweet. READ MORE >>
Cannon Lewis | February 28, 2018
Despite issues with the script, the Rice Theatre Program and Rice Players’ production features some of the best acting and musical talent that its producers have to offer. READ MORE >>
Michael VerMeulen | February 20, 2018
Director and writer Ryan Coogler crafts a beautiful work that simultaneously serves as a fun addition to the Marvel Cinematic Universe and a powerful statement on the contemporary political climate. READ MORE >>
Maddie Flavin | February 20, 2018
The tragicomedy biopic “I, Tonya,” is based on “irony-free, wildly contradictory, totally true” interviews with Harding and ex-husband Jeff Gillooly. The film uses them to ask us: What if our notions about her were wrong? READ MORE >>
Naomi Wentz | February 20, 2018
All of the tracks on “Honey” are very repetitive, using the same drop twice in each song, a common structure in electronic music that cries out for some type of vocalist. READ MORE >>
Maddie Flavin | February 14, 2018
“The Assassination of Gianni Versace” really earns its TV-MA rating. READ MORE >>
Ryan Lee | February 14, 2018
You know the drill. Eat at home. Stay away from social media. Yes, us stags and spinsters have learned to deal with the week of Feb. READ MORE >>
Michael VerMeulen | February 14, 2018
During Super Bowl LII, Netflix dropped the first trailer for “The Cloverfield Paradox,” the third installment in the fascinating, ever-shifting Cloverfield franchise that began in 2008. READ MORE >>
Simona Matovic | February 13, 2018
After MGMT’s successful 2007 debut, “Oracular Spectacular,” which included their most popular songs, “Kids” and “Electric Feel,” their subsequent, more experimental 2010 and 2013 albums departed from their initial sound and never gained ... READ MORE >>
Christina Tan | March 28, 2018
This weekend, the inaugural In Bloom Music Festival kicked off in Eleanor Tinsley Park with headliners such as Beck, Incubus and Martin Garrix. The festival ... READ MORE >
Lenna Mendoza | March 28, 2018
Released earlier this month, “White is Relic/Irrealis Mood,” is of Montreal’s 15th studio album, and while it certainly isn’t stale, it isn’t ... READ MORE >
Xinyu Chen | March 28, 2018
A visitor looks on at the work of Houston-based video and performance artist Yue Nakayama during her Sunday opening at Matchbox Gallery. READ MORE >
Christina Tan | March 21, 2018
Best and worst of, music reviews, film reviews, and student perspectives READ MORE >
Maddie Flavin | March 21, 2018
Where Aptaker and Berger really knock it out of the ballpark is with their ability to portray the growing pains of finding one’s identity as a young ... READ MORE >
Maddie Flavin | March 21, 2018
Finley's screenplay uses a backdrop of high society and restless adolescence to ask if emotional attachment has value in a cold, calculating world. ... READ MORE >
Naomi Wentz | March 21, 2018
The album makes What So Not’s work more accessible to “beginner audiences” and cements the Australian producer’s place in electronic music. READ MORE >
Walden Pemantle | March 21, 2018
Missing out on the enormous array of cocktail bars, ice houses and dives that make up Houston’s bar scene would be a real shame, and for those willing ... READ MORE >
Amelia Calautti | March 7, 2018
I’ll never forget my New York roots, but I can justly say that the South has shaped me in ways that New York could never have. From how I dress to how ... READ MORE >
Simona Matovic | March 6, 2018
Rock isn’t provocative for the sake of being provocative — he wants the audience to question what the ridiculousness of the role reversal means about ... READ MORE >
Naomi Wentz | March 6, 2018
“Death to Genres, Vol. 3” features a lot of collaborations with some pretty noteworthy electronic artists but these do not produce the dynamic music ... READ MORE >
Christina Tan | February 28, 2018
The album evokes the entire spectrum of moods expected from a record-breaking film: at times brooding and dark, other times hopeful and sweet. READ MORE >
Cannon Lewis | February 28, 2018
Despite issues with the script, the Rice Theatre Program and Rice Players’ production features some of the best acting and musical talent that its producers ... READ MORE >
Michael VerMeulen | February 20, 2018
Director and writer Ryan Coogler crafts a beautiful work that simultaneously serves as a fun addition to the Marvel Cinematic Universe and a powerful ... READ MORE >
Maddie Flavin | February 20, 2018
The tragicomedy biopic “I, Tonya,” is based on “irony-free, wildly contradictory, totally true” interviews with Harding and ex-husband Jeff Gillooly. ... READ MORE >
Naomi Wentz | February 20, 2018
All of the tracks on “Honey” are very repetitive, using the same drop twice in each song, a common structure in electronic music that cries out for ... READ MORE >
Maddie Flavin | February 14, 2018
“The Assassination of Gianni Versace” really earns its TV-MA rating. READ MORE >
Ryan Lee | February 14, 2018
You know the drill. Eat at home. Stay away from social media. Yes, us stags and spinsters have learned to deal with the week of Feb. READ MORE >
Michael VerMeulen | February 14, 2018
During Super Bowl LII, Netflix dropped the first trailer for “The Cloverfield Paradox,” the third installment in the fascinating, ever-shifting Cloverfield ... READ MORE >
Simona Matovic | February 13, 2018
After MGMT’s successful 2007 debut, “Oracular Spectacular,” which included their most popular songs, “Kids” and “Electric Feel,” their subsequent, ... READ MORE >
