Review: Nas and Hit-Boy continue to amaze on ‘King’s Disease III’
Top Track: “Til My Last Breath”
In two years, Nas has blessed us with four albums that demonstrate why he is one of the best rappers to touch a microphone. “King’s Disease III” continues his four-album run of collaborations with producer Hit-Boy, a combination that has continued to elicit greatness from all involved.
Rap is still relatively young, so there haven’t been too many examples of aging legends in the genre. Nas returned for just two albums in the 2010s, but his work with Hit-Boy has reenergized him into a new era of productivity. Nas sounds reinvigorated and is at the top of his game on “King’s Disease III.” He doesn’t need anybody else to prove his greatness, delivering a featureless album, a rarity in rap and his first without any guests since 2002.
The album begins with “Ghetto Reporter,” a track in which Nas describes the state of rap and his own career over a meticulously crafted piano loop that propels the song forward. Nas describes how rap has changed and just how different he is from what you see today, addressing how he may not have the streams that many more mainstream current rappers have but that he has “real people tappin’ in,” the people who can appreciate his lyricism and dedication to rap as an art form.
The track is followed by “Legit,” which is based on a beautiful soul sample from “The Five Heartbeats,” a 1991 movie that follows a fictional, Motown-inspired vocal group. Nas discusses how far he’s come from his upbringing in the Queensbridge Houses, the project where he grew up, while giving advice to other artists. The sample and references to “The Five Heartbeats” reflect a different, sadder journey in music that Nas cautions against.
One of the highlights of the album is “Thun.” The title refers to the accented pronunciation of “Son” native to Queensbridge. “Thun” makes numerous references to Queens legends who Nas knew or looked up to in his youth. Nas also references his old drama with Jay-Z: “No beef or rivals, they playin’ ‘Ether’ on Tidal / Brothers can do anythin’ when they decide to.” “Ether” is Nas’ most well known diss track towards Jay-Z, while Tidal is a streaming service that was owned by Jay-Z until 2021. Nas additionally says he texts Jay jokingly while “dissectin’ bars from ‘Takeover,’” a diss track addressed to Nas himself. You can see the maturity Nas gained through years of being in the music industry throughout the track as he raps over an orchestral sample.
Another track that instantly catches your attention is the bonus track, “Til My Last Breath,” which closes the album. From the sample choice to its position at the end of the album, “Til My Last Breath” references the New York Mets, Nas’ hometown baseball team. The central sample is Blasterjaxx and Timmy Trumpet’s “Narco,” which is used as the walk-up song for Mets closing pitcher Edwin Diaz.
The trumpet from “Narco” is instantly recognizable to people who have seen Diaz come into a game and is incredibly satisfying when combined with Nas’ vocals. Lyrically, the song continues to reference Nas’ success and his recent productivity.
On “Michael & Quincy,” Nas makes the comparison: “Like Quincy on the trumpet, Hit-Boy on a drum kit / Nasty like Mike on the vocals, I overdub it (Shamone).” With the run that he and Hit-Boy have been on, such a comparison makes sense. His collaboration with Hit-Boy has elicited Nas’ best work in years.
“King’s Disease III” displays the full prowess of Nas, one of the legends of 90s rap, and continues to show why he deserves a spot in among the top ten rappers. His reflective lyricism, combined with Hit-Boy’s excellent and kinetic sample choices, leads to an addicting listen that continues to amaze.
More from The Rice Thresher
Review: ‘Suzume’ is a thrilling, endearing, and at times dark ode to Japan
Makoto Shinkai clearly has a specialty — the “Your Name” and “Weathering With You” director is often said to make the same movie over and over again. It’s true that the three most recent entries in his filmography have all been fantastical, coming-of-age melodramas centered around some sort of ecological disaster, but there’s nothing wrong with that. Audiences know what they’re getting with a Shinkai film: gorgeously-rendered anime vistas, strong female leads and an emotionally-charged storyline guaranteed to make viewers feel something. While it doesn’t reach the poignancy of “Your Name,” Shinkai’s newest film “Suzume” is one of the highlights in his œuvre.
Review: IVE embraces confidence on 'I’ve IVE’
After an incredibly successful debut year in 2022, IVE released their debut album “I’ve IVE” to the excitement of fans around the world. Last year, IVE put out two single albums, which are shorter, two to three track projects within K-pop. The sampling of Gloria Gaynor’s classic track “I Will Survive” in “After LIKE” and the moodier sound of “LOVE DIVE” show two distinct sides of the group that are expanded upon in their debut full-length release.
Review: Nicolas Cage as Dracula is a national treasure
“Renfield” is a 2023 comedy-horror film centering Nicolas Cage as Dracula and Nicolas Hoult as Renfield, Dracula’s loyal assistant. My comments on this movie should be prefaced by an acknowledgment of my bias; I absolutely adore Nicolas Cage as an actor. I could watch Mr. Cage do nothing but down an entire Subway Italian without him uttering a word and I would be absolutely enthralled, clinging to the edge of my seat. The subtle facial expressions, the charming yet hungry eyes, and the absolute Adonis of a body that Nicolas Cage possesses could make any film connoisseur faint at just a glimpse. Even taking into consideration my love for Cage’s acting in both his amazing and amazingly terrible works, “Renfield” is another absolute banger of a movie on nearly every level.
Please note All comments are eligible for publication by The Rice Thresher.