South by Southwest 2019: Films to get excited for
The Academy Awards have just ended, the dust has settled and we can look back at our Oscars betting pool and yell about how our favorite picks got snubbed, a popular game that many film fanatics play. But a much more fun game to play is to guess the nominees without any outside information — no trailers, no box office numbers, no Rotten Tomatoes scores. I will try to play this game by guessing which films from South by Southwest Film Festival will be the box office hits of 2019. Wish me luck!
Jordan Peele’s Us
Let’s get the easy one out of the way. Us is the third collaboration between Jordan Peele and Jason Blum, the minds that gave us Get Out and BlacKkKlansman. Get Out, an Academy Award winner, is a horror film about the interracial tensions between a black man and his girlfriend’s white family. BlacKkKlansman, which Peele produced, is a dark comedy about a black police officer’s infiltration of a KKK establishment. Small wonder then that expectations are high for Us, the headlining film at SXSW. Will Peele successfully bring the authenticity of life to a commercial movie for the third time? I have a feeling he will. It seems like Us is a psychological horror where the protagonists must face the spectres that haunt them and their own internal fears. Side note: The poster for BlacKkKlansman features a comb and Us has a pair of shears. Does Peele have his best ideas during his haircuts?
Emily Ting’s Go Back to China
Hindsight plays tricks on your mind. For example, before John Krasinski’s 2018 box office hit A Quiet Place debuted at last year’s SXSW, Krasinski was just “the guy from The Office, but now he has a beard.” The unpredictable nature of success leads me to cheer on “Go Back to China,” despite having no knowledge about the Taiwanese-American director’s previous work. I think part of me just wants this to succeed. But this film stars an all-Asian cast, includes a wealthy woman who returns to her motherland and highlights cultural and generational differences. Could this be the next Crazy Rich Asians?
Lesley Keen’s Ra: Path of the Sun God
If I were serious about this game of guessing, then Ra should come nowhere near this list. It might not even get a theatrical release because of how weird it is. Ra was originally a labor of love that was released and forgotten in 1990. 29 years later, the filmmakers have brought Keen’s work back and collaborated with a team of artists to provide a new score. The reason why Ra is on my list is that it is an animation for which I have a soft spot. Many of the recent films I have watched were animations — trailblazer Spiderman: Into the Spider-Verse, claymation Coraline, stop motion Isle of Dogs and even low-budget On Happiness Road. I have a particular nostalgia for Ra’s classic two-dimensional style of animation, and I would try everything to bring this style back to the mainstream. There is an artistic whimsy in 2D animation that is lost in even the best of modern computer-generated movies. Ra, with its content of biblical proportions and epic soundscapes, appears evocative of the similarly experimental Sorcerer’s Apprentice.
South by Southwest Film Festival will be held in Austin March 8 - 17.
More from The Rice Thresher
Main Street Theater’s production of “Miss Bennet: Christmas at Pemberley” is a play that serves as a sequel to Jane Austen’s classic “Pride and Prejudice.” Lauren Gunderson’s clever script showcases the Bennet sisters once again, this time spending Christmas together at Pemberley. This farcical romantic-comedy focuses on awkward middle sister Mary Bennet (Chaney Moore) as she finds love with Mr. Darcy’s equally awkward cousin, Arthur de Bourgh (Aaron Alford). Main Street Theater presents an excellent production of the show with very few missteps and is only a walk to Rice Village away from campus. Performances will continue through Dec. 19 with $10 student tickets.
Adele’s fourth studio album “30” is a vulnerable amalgamation of jarring rhythms and soulful influences. Released on Nov. 19, “30” generated widespread critical acclaim for its candid, emotional narration of Adele’s divorce from Simon Konecki. Despite her previously established reputation for a rich vocal range and expressive, emotional lyricism, listeners and critics alike have lauded the new record as Adele’s greatest musical risk to date. A poignant account of the turbulence of family, love, fame, and heartbreak, “30” reiterates Adele’s timeless ability to storytell in a way that touches the hearts of fans everywhere.
It is beginning to look a lot like the holiday season with the lit up Christmas tree at Fondren, Mariah Carey playing at the President’s barbecue and lights wound around trees in Rice Village. To reel in the Houston winter vibes, look no further for a list of holiday attractions to visit during dead days to avoid studying for finals.