In the Homecoming photo spread in last week's issue, caption number one should have referred to the Rice Program Council. Caption number six should have acknowledged Peter Boie. Caption number seven should have included the RPC's collaboration with SpoCo for the Upright Citizens Brigade. The Thresher regrets these errors.
More from The Rice Thresher
Comments like “What’s with the suit? What’s the occasion? Who’s getting married?” surrounded me as I strolled into my college commons one day last fall. It caught me off guard; why am I the only one dressed up on career fair day? My bioengineering friend quickly answered my question. “Why should I bother going to the career fair?” he said. “There’s no bioengineering companies there.” He’s absolutely right. But the problem extends beyond just bioengineering.
In the 18th Century, Immanuel Kant (often considered the central figure in modern philosophy) used the phrase Spaere aude in a 1784 essay titled “Answering the Question: What is Enlightenment.” Translated from Latin, it means “dare to know,” or in some cases, “dare to be wise.” Kant argued our inability to think for ourselves was due to fear, not due to a lack of intellect. In the opening paragraph of his essay, Kant states “Have the courage to use your own reason—that is the motto of enlightenment.”
The Oscars may be so white, but Houston art isn’t — as long as you’re looking in the right places. It is all too true that arts organizations still fall short of creating accessible spaces with equitable representation of artists. For instance, white men still make up the majority of artists represented in prominent museums across the United States. Even with increased attention to elevating the work of women artists and an uptick in women-only art shows and exhibitions focused on the work of underrepresented artists, only 11% of permanent acquisitions by major American art museums from 2008 to 2019 were by women; of that 11%, only 3.3.% were by Black women artists.