Rice University’s Student Newspaper — Since 1916

Tuesday, June 25, 2019 — Houston, TX 84°

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Editorial: Next SA should open doors

(03/06/19 5:01am)

Every election cycle, candidates push to increase the diversity of ideas that make their way from the student body to the Student Association Senate. As newly elected leaders take their positions at both the college and the SA Senate level, we have several significant changes — outside of constitutional reform — that we believe would increase the flow of ideas from the student body to its leaders.


From Screw to ‘I love you’

(03/06/19 4:58am)

Dressing up in costume, finding a stranger in the crowded Grand Hall, going on a blind date — only Rice would combine these three things into one event, Rice Program Council’s Screw Yer Roommate. And probably only Rice students would go to an event like Screw, which gives students the rare opportunity to go on a date without actually having to ask someone out. Screw is reminiscent of a rom-com meet-cute, and for a few students, that rom-com becomes their real life. 


Overcoming Failure and Imposter Syndrome: A Conversation with Matthew Hayes

(03/06/19 4:45am)

This is the first of a series that covers Rice professors and alumni and their paths to success. These are the unheard stories behind the successes that we see: the failure, disappointment and mishaps along the way. We start by talking to Matthew Hayes, professor of political science at Rice. In the Political Science department, he is one of the youngest faculty members and the only black faculty. 




The silenced experience at Rice

(03/06/19 4:35am)

This op-ed has been a work in progress for a few weeks. There is so much we could write about, given recent events that have occurred at Rice. We have met multiple times to discuss the points we wanted to discuss in this piece, and each of those meetings has felt like a firehose to the face. So many issues surround the Black experience at Rice that we doubt an entire edition of the Rice Thresher could do it justice, never mind a single piece.






CAMH Presents ‘Shapeshifters’: Art imbued with teen spirit

(03/06/19 4:15am)

In a generation where digital interconnectedness is religion and where the Parkland tragedy is reality, versatility of mind, body and heart is less of a skill to put on your resume and more of a superpower. “Shapeshifters” is a triumph of teenage intensity and adaptability that brings the experiences of modern youth to the forefront of the mainstream Houston art scene. 


Sally Mann depicts intimate and haunting portraits of southern life in ‘A Thousand Crossings’

(03/06/19 4:14am)

Southern life and traditions are important to the many residents of the lower U.S., but the rich experiences that are cultivated in that region often conflict with its tragic history. In the Museum of Fine Arts, Houston’s latest exhibit, “A Thousand Crossings,” photographer Sally Mann (born 1951) attempts to capture her life story in Virginia, the birthplace of slavery and a major battleground in the Civil War, as a mother, wife and Southern woman coming to terms with the dark history of her state. 


Weezer’s ‘Black Album’ takes a darker turn with new sounds

(03/06/19 4:13am)

Weezer is officially “back in black;” Weezer (Black Album) is the rock band’s long-awaited 13th studio album and sixth eponymous, color-coded album. Around the release of Weezer’s 2016 White Album, lead vocalist Rivers Cuomo hinted at a Black Album with a darker vibe and potential foray into swearing (Weezer’s had relatively clean lyrics in its 25 years, but Cuomo let loose this time).


When I Get Home: A masterful, artistic ode to Houston

(03/06/19 5:28am)

Music can sometimes feel transcendent, but rarely does it take a materialized form. With When I Get Home, contemporary rhythm and blues artist Solange Knowles incorporates live album experiences, challenging the notion that music is a medium made only for passive listening. An homage to Houston and feeling at home, When I Get Home wraps listeners up in its engaging sound and delivers key messages along the way.



‘Harverd Dropout’ disappoints with obnoxious dissonance

(03/01/19 6:08am)

In December 2018, hip-hop artist Gazzy Garcia (Lil Pump) teased the track “Butterfly Doors” in an Instagram story. He’s seen making racial gestures by pulling back his eyes while singing, “They call me Yao Ming ‘cause my eyes so low” and ad-libbing “ching chong”. In lieu of backlash, Lil Pump issued a brief apology, where he attempted to prove his harmless intentions by claiming to “have Asian homies.” The version of “Butterfly Doors” released on his newest album Harverd Dropout censors Yao Ming’s full name and removes the “ching chong” adlib.



Editorial: SA bill right for #MeToo era

(02/27/19 4:28am)

The Thresher editorial board strongly supports the Student Association’s efforts to prevent violent and sexual abusers from holding elected office in campus-wide organizations, including the SA Senate. We believe this change is one that should be implemented as soon as possible — not only at a campus-wide and SA voting level, but also for certain positions at a residential college level.



Men’s basketball comes back from 20-point deficit

(02/27/19 4:20am)

Despite falling behind by as many as 20 points in the second half of Saturday’s game against the University of Texas, El Paso, Rice men’s basketball stormed back for an 85-81 win. The game, which went to double overtime, was decided by a slew of scoring by freshman guard Chris Mullins, who converted a contested layup and four free throws within the last minute and a half to establish a five-point Rice lead. Head coach Scott Pera said Mullins has earned his right to be a late-game playmaker.