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Rice held a vigil to commemorate the legacy of Martin Luther King Jan. 19. The vigil, held in Kraft Hall, included a reception, followed by a series of talks from Rice professors. The Rice Black Men’s Association and Multicultural Community Relations, within the university’s Office of Public Affairs, helped organize the event.
Editor’s Note: This is a guest opinion that has been submitted by a member of the Rice community. The views expressed in this opinion are those of the author and do not necessarily represent or reflect the views of the Thresher or its editorial board. All guest opinions are fact-checked to the best of our ability and edited for clarity and conciseness by Thresher editors.
"At least we got the money!"
Cross country runner Tyler Strothman hosted an official launch party for his shoe brand Veloci Running Thursday, Jan. 16. The party at Axelrad Beer Garden in Midtown was both a product debut and a celebration of the journey that brought the brand to life. With friends, runners and customers gathering from across Rice and the greater Houston running scene, Strothman said the night highlighted not just the success of the brand, but the people who made it possible.
Music and running were not always Filippo Aldrovandi’s passions. In fact, the now Division I runner and Shepherd School of Music violinist said that it took him until high school to decide he wanted to play music and run at the college level.
Andrew Trinidad, a Duncan College freshman, competes for Rice’s track and field team in sprints and hurdles. He is majoring in business with a concentration in finance.
Key Track: Friendly Hallucinations
Review: ★ If there’s anything “The Brutalist” is, it’s ambitious. Following visionary architect László Toth (Adrien Brody) through some thirty years of his life — from his post-World War II immigration to the U.S. to his struggles with a wildly ambitious project — “The Brutalist” reflects its namesake architectural style: massive, angular and carved out of stone.
Review: ★★★★ A new Italian-inspired coffee shop and grocery store hybrid has found its home on West University Boulevard. Mercato and Company, according to the cafe’s website, aims to provide customers with “a warm, inviting atmosphere that feels like home” and “a friendly and quaint experience.” When I visited, I was pleased to have these claims confirmed. The delicious food and charming ambiance combined to make Mercato a place I’d want to visit again soon.
Over a decade ago, Melissa McDonnell Luján ’10 was tasked with redesigning the Contemporary Arts Museum Houston as one of her Rice Architecture studio assignments. Now, after she was appointed the museum’s co-director earlier this month, she’s designing CAMH’s future.
Whether working on a piece for her senior studio class, putting together a zine or doodling with friends, Naomi Doron never stops being creative. For Doron, a Jones College senior studying visual art and cognitive sciences, art extends beyond the actual piece — it’s a way for her to connect with others, she said.
Wren Kawamura woke up at approximately 5 a.m on Jan. 8 to a loud, piercing, emergency alert. Her family has lived in La Cañada, Calif., for over a decade. They were in the path of the Eaton fire, one of four wildfires in the Los Angeles area killing over 27 people over the last week, although the official death toll is unknown.
On Saturday night, hours before the U.S. ban on TikTok was supposed to go into effect, an unexpected message was displayed on millions of devices across America. Then, screens went dark.
Outside Saba Feleke’s senior art studio, a large scroll painting hangs on the wall bearing the statement: “My 5-year plan is that a Bible-level miracle will happen.” The painting is a recreation of a screenshot of a post on Feleke’s Instagram, which itself is a screenshot of a Twitter post — only much larger, they said. It is part of a series of paintings created during Feleke’s summer residency at Project Row Houses through the Floyd Newsum Summer Studios Program.
From a little-known concept among researchers to generating summaries with every Google search, artificial intelligence’s accessibility has skyrocketed over the past decade. However, its innovation comes at a cost. Training ChatGPT-3 was estimated to generate 552 tons of carbon dioxide equivalent, more than the emissions of 559 flights from London to New York. Artificial intelligence can also steal from artists and reproduce racist biases from its data sets.
