Rice University’s Student Newspaper — Since 1916

Friday, January 27, 2023 — Houston, TX

Hot off the press: Authors share new works

inprint-courtesy-hadley-medlock
Hadley Medlock / Thresher

By Hadley Medlock     1/24/23 10:17pm

Literary enthusiasts filed into Congregation Emanu El on Monday to hear from acclaimed authors Yiyun Li and Matthew Salesses. As part of the Inprint Margarett Root Brown Reading series, the authors came to Houston to share excerpts of their newly released novels and take part in an on-stage conversation with the University of Houston creative writing program faculty member Brenda Peynado. Both Li and Salesses shared insight on politics in their novels and finding joy in their writing.

Salesses kicked off the evening reading the second chapter of his book “The Sense of Wonder.” A former Houstonian, Salesses’s childhood dreams of being an NBA player helped to inspire the plotline for his novel, centered around Asian American NBA player Won Lee and sportswriter Robert Sung covering his newfound stardom.

“The Sense of Wonder” tackles the burden of the “model minority” stereotype and minorities’ struggles with racism in the sports industry. Salesses said the novel was written with a desire to find a sense of wonder outside of children’s books, which became a very vital endeavor to him when his wife was diagnosed with cancer. 



“My wife was diagnosed with cancer and needed wonder, more than ever before,” Salesses said. “One of the things that my wife and I did a lot was watch K-drama, and things happen in K-drama that we don’t usually think of as reality … Fate and coincidence have a large role to play. At the time, we really needed fate and coincidence.”

When Li took the stage, she offered no introduction to her novel. Instead, she simply started to read the first pages of her story “The Book of Goose” in hopes of giving audience members a glimpse into the voices of her two main characters. A MacArthur Genius Grant Fellow and author of ten books, Li spoke with the quiet confidence of a seasoned author and shared that this was her first time in Houston. 

“Cut and be cut. Neither interested me back then. My name is Agnés, but that is not important,” Li read from her first chapter. “The name you should pay attention to in this story is Fabienne. Fabienne is not an orange or a knife or a singer of lullabies, but she can make herself into any one of those things. Well, she once could. She’s dead now.”

Set in the 1950s rural French countryside, “The Book of Goose” follows the recently deceased Fabienne and her childhood best friend turned successful writer Agnés and is a story of intense, adolescent friendship that combines realistic historical fiction writing with fairytale. 

The evening ended with Li and Salesses in conversation with Peynado as she asked questions about their new novels. Having sat down to dinner together before the reading, the three spoke and laughed as though they were old friends. 

While asking many questions pertaining to the niche similarities between Li and Salesses’ books, a difference in the novels Peynado cited was the explicit emphasis on politics in Salesses’ piece, with a lack of political discussion in Li’s. 

“I never claimed to be a political writer. I think I make a point to not be very political, [but] not because politics does not exist. I grew up in China, and in China, politics is like the weather. You can complain about the weather, but there’s nothing you can do about the weather,” Li said. “I like to think from the character’s point of view, and sometimes the politics is negative space. If the character does not think about politics, it does not mean politics doesn’t exist, it means they shelter themselves.” 

In contrast, Salesses believes politics is something his novel and characters could not ignore, though he said he takes a similar approach to Li in deciding whether political conversations appear in his books. 

“[For] the characters in my book, [politics] has everything to do with their lives. They have to be aware of the world because they have to survive in it,” Salesses said. “They don’t have the ability to escape from that, or they don’t have the desire to.”

The trio also took time to talk about finding joy within writing. Li said her biggest moment of joy in her new novel actually came from writing the last page, and Salesses reflected on the joy of writing and being a writer himself. 

“This book took seven or eight years … and I just think, ‘How do you do that without joy?’” Salesses said. “You have to enjoy what you’re doing. Otherwise life is so hard, because I don’t think it’s that easy to live. Whatever joy you can find, you’ve got to hold on to that.”



More from The Rice Thresher

A&E 1/24/23 10:26pm
Black Art at Rice: Akaya Chambers designs her future in theatre

When Akaya Chambers was twelve years old, she made her own Halloween costume — a steampunk TARDIS dress. It was the first time she had ever sewn, but she hasn’t put down her needle and thread since. In the years following, she discovered a passion for costume design and theatre on and off of the stage as a costume designer and actor, and on the page as a playwright. 

A&E 1/24/23 10:25pm
Review: ‘Five Easy Hot Dogs’ is a mellow road trip of soothing instrumentals

It’s impossible to understate Mac DeMarco’s influence in the world of indie music. Since his breakout 2012 album ‘2,’ DeMarco’s twangy jangle pop songs have inspired new musicians and subgenres, notably bedroom pop. Tracks like “Chamber of Reflection” helped define alternative music in the mid-2010s, and recently, cuts like “Heart to Heart” have been wildly popular on TikTok. At the core of these successes were not only strong instrumentation but a slacker attitude and a sense of understated romance within DeMarco’s lyrics. However, for “Five Easy Hot Dogs,” DeMarco has ditched this core component in favor of focusing on instrumentals. Regardless of this switch-up, DeMarco has constructed a solid project full of unique albeit forgettable songs that inspire a sense of tranquility unmatched by his other work.


Comments

Please note All comments are eligible for publication by The Rice Thresher.