Review: Meghan Trainor's ‘Takin’ It Back’ takes listeners on another predictably mediocre ride

Rating: ★★½
Top Track: “Made You Look”
Meghan Trainor’s latest album “Takin’ it Back” is both predictably underwhelming and, unexpectedly, not entirely bad. While Trainor’s musical formula has remained almost unchanged since her early success circa 2014, this album adds a refreshing layer of synthesizers in addition to the brass, “retro” bassline and doo-wop melodies that are emblematic of Trainor’s music. Although Trainor made some slight but meaningful changes to her musicality in parts of this album, the themes of her lyrics are practically copied and pasted from her previous work. The songs in “Takin’ it Back” mostly stay within the limited topics of sex and sexiness, how her man messed up or needs to improve, or confidence. This isn't necessarily a criticism, but having listened to Trainor’s music beyond this album, the consistency of her themes seems noteworthy.
The best song of the album is “Made You Look.” This song is arguably the most predictable, considering it shares the melodic and rhythmic patterns of several of her previous songs such as “All About That Bass” or “Dear Future Husband,” but it also showcases a new style of music production you won’t hear throughout the rest of the album. The style in which the bass and vocals are mixed, particularly in the bare-bones version of the chorus before the addition of horns, is what makes this song more interesting than the others. The first 13 seconds of “Made You Look” are more memorable than the entire album, and I only wish this slight innovation in music production had been further explored in the rest of the project.
The worst song of the album is the album's name sake, “Takin’ It Back.” What makes this song rank the lowest is its lyricism and overall message. Something that has remained confusing to me about Meghan Trainor when listening to her music is the identity she is trying to communicate. Clearly, the lyrics of “Takin’ It Back” are meant to convince me that Trainor is a connoisseur , a producer of classic soul music. This is a very out-of-touch message and leaves me genuinely confused as a listener. Part of what makes “Made You Look” more appealing than other tracks is that it’s an unabashedly basic pop song and isn't trying to be anything else.
“Takin’ It Back” is not the only song in the album that attempts to portray Trainor as someone I’m fairly sure she’s not. “Mama Wanna Mambo (feat. Natti Natasha & Arturo Sandoval)” feels entirely out of place both within Trainor’s album and voice. The listener is left questioning why Trainor says “rude gal” with what is clearly meant to be a reggaeton accent more than once within the song. The whole track feels a bit uncomfortable.
Overall, I would rate this album a 2.5 out of 5. Had another musician came out with the same album I would probably knock off the .5 and leave it at 2, but considering the artist has a very consistent streak of making mediocre music, I feel almost unreasonable holding Trainor to the standards of other musicians. “Takin’ It Back” is the perfect album for playing in a CVS at 3 p.m. on a weekday, but has little appeal beyond that.
More from The Rice Thresher

Founder’s Court goes alt-rock as bôa kicks off U.S. tour at Rice
Founder’s Court morphed into a festival ground Friday night as British alt-rock band bôa launched the U.S. leg of their “Whiplash” tour. The group headlined the third annual Moody X-Fest before what organizers estimate was “a little bit over 2,000 students” — the largest turnout in the event’s three-year history.

“You need a therapist, not a keyboard”: Loretta Ross on calling in
Loretta Ross jokes that she can “talk as long as Fidel Castro.” These days, her urgency is reserved for speaking against the 'call out' — the act of public shaming as a corrective measure — which she said has become as "inevitable as gravity” during her lecture at Duncan Hall on April 14.

Review: ‘Daredevil: Born Again’ struggles with identity but shows promise
Following Netflix’s acclaimed third season of "Daredevil," expectations were understandably high for Marvel’s new Disney+ continuation, "Daredevil: Born Again." Unfortunately, the series suffers noticeably from a split personality, caught between excellence and confused mediocrity.
Please note All comments are eligible for publication by The Rice Thresher.