Review: ‘Voyage’ is a satisfying finale to ABBA’s decades long career
Best Song: “Don’t Shut Me Down”
Mamma mia — here they go again! Forty years after their eighth studio album, Swedish pop band ABBA has reunited for one final hurrah. After the band’s divorce-induced split back in 1982, the world thought they had heard the last of their new music, but ABBA has joined once more for a ten song, “trend-blind” album that chronicles friendship and heartbreak through angelic vocals and classic ’70s disco style. While some fans expressed worries that the band would stray too far from their original sound and it has already received mixed reviews from critics, I think this album is nothing short of a triumph that proves that ABBA has still got it.
“Voyage” opens with an affectionate power piano ballad titled “I Still Have Faith in You” that celebrates the sweet friendship and loyalty the members of ABBA still have with each other to this day. A song that starts slow and builds its way into a triumphant, lush climax, this sentimental ode was the perfect way to start their reunion album. It leads into “When You Danced With Me,” a song about being left by someone that vaguely sounds like it drew inspiration from Irish music, which is a solid song on the album but not necessarily a standout.
“Little Things” was beautiful but a bit of a surprise after the previous songs. It was unexpected for ABBA to stick a twinkly Christmas song in this album, but I will admit it was pretty. I can’t, however, say I was a fan of the children’s chorus that came in towards the end, but maybe I’ll change my mind as Christmas nears.
Since it was released as a lead single back in September, “Don’t Shut Me Down” has been one of my favorite ABBA songs and easily one of the best of “Voyage” for its quintessential catchiness and its ability to balance melancholic lyrics overtop a bubbly pop tune. When most people think of ABBA, this is the kind of catchy disco groove they think of, and it sounds straight off the 1981 album “The Visitors.” This is yet another song to add to your ABBA karaoke catalog among the iconic ranks of “Dancing Queen” and “Mamma Mia”.
“Just A Notion” is another notable song from the album that still has the classic ABBA feel, and was everything I was hoping for in a new song from them. However, I discovered it was actually a song meant for the 1979 album “Voulez-Vous” that didn’t quite make the cut — not that it decreases the charm of the song whatsoever. I’m convinced it’s impossible to listen to this song and not dance around the room just a little bit. The swingy piano and upbeat drum kit had me smiling the entire time I was listening.
The album ends with “Ode To Freedom,” a striking orchestral song that apparently pays homage to Tchaikovsky’s waltz in the ballet “Swan Lake.” I thought the instrumentation was beautiful and the lead voices of Agnetha and Anni-Frid blend seamlessly. A moving and bittersweet ending to what is likely their final album together, “Ode To Freedom” feels like the closure that ABBA needed all along.
While I might be biased as a fairly intense ABBA fan, I thought that this album was a voyage worth embarking on with them. With this album, ABBA had nothing to prove. They didn’t conform to the pressure of following the past four decades’ of music trends; it felt like they were just thrilled to sing together once more. It was a reunion album in the truest sense of the term and made me nostalgic for an ABBA that existed before I was even born. Was some of it a little cheesy? Yes, but it wouldn’t be ABBA without it.
More from The Rice Thresher
With summer right around the corner, many students’ brains will finally have space for things other than organic chemistry or the latest coding problem that needs to be solved. Take this time to read for enjoyment again. The following are a series of summer recommendations perfect for time on a plane, by the pool or just on your couch. All incorporate travel in one way or another, and each has its own adventure that will leave you yearning for more.
Robert Eggers is a filmmaker whose work has been defined by its small scale and intensive focus on characters. His prior films, “The Witch” and “The Lighthouse,” both feature a small cast and embrace environmental horror as terrifying events slowly pull the main ensemble apart. His reputation for his smaller scale and focus is partly why “The Northman” was so interesting upon its announcement — “The Northman” blows up Egger’s storytelling onto a massive scale. The locations, number of characters, and time period all dwarf his prior films. For the most part, Eggers steps up to the plate, succeeding in his ambition. “The Northman” will be available to watch in theaters April 22.