5th annual Houston Latino Film Festival displays Latinx diversity, tackles timely issues
The 5th annual Houston Latino Film Festival, which ran from March 19-28, featured films from all over Latin America and the United States, highlighting and promoting Latinx culture to the Houston community. The festival, which was canceled last year due to the COVID-19 pandemic, showcased its selection of both feature and short films over virtual streaming platforms and in-person drive-in theater venues.
A mixture of documentary, drama and horror made up the nine feature films that were screened, and 34 short films with genres ranging from animation and comedy to experimental and horror, comprised the rest of the festival’s lineup. With films in both Spanish and English, some produced internationally and others made here in Houston, the festival selections represented the diversity of the Latinx community. The following features and short films are ones that represent the highlights of the festival for their artistic merit and charged subject matter.
“La Llorona” is a Guatemalan portrayal of the Latin American folktale depicting a ghost who mourns her deceased children. In this new cinematic take on the legend, the story takes place during the long-term aftermath of the Guatemalan Civil War. This traditional tale finds grounding in the real-life atrocities that took place during the war, and reflects on the relationship between justice and vengeance. The most chilling aspect of this film was not the presence of La Llorona herself — traditionally described as a wailing woman who wanders near bodies of water to snatch up human children to replace her own — but the underlying raw truth that the large-scale genocide of indigenous peoples in Guatemala was not properly avenged. The film feels most vindicating when the legal system fails to convict war criminals, but supernatural beings take justice into their own hands.
“Once Upon a Time in Venezuela” is a documentary film focusing on a local election taking place in the village of Congo Mirador in Venezuela. The film’s footage captures the everyday realities of community relations in Congo Mirador with detail, inviting audience members to feel like a part of the community. Residents offer raw and intimate commentary on the gender and class divides that dominate Venezuelan society, which pervades nearly every facet of daily life. The film also touches on the nature of environmental degradation in vulnerable societies, as pollution and climate change impact the lives of Congo Mirador residents. This film feels extremely timely in an era where there seems to be a constant barrage of extreme environmental occurrences, such as historic wildfires in California last year and the severe winter storm that devastated Texas in February. Audiences can see their own environmental anxieties reflected and amplified in the residents of Congo Mirador, as their community bends at the mercy of climate change.
“El Perfumista” tells the story of Pedro, an accomplished perfumer who slowly begins to lose his sense of smell, an ailment simultaneously threatening his livelihood and identity. As his daughter, who is a fellow perfumer, coworkers and clients begin to discover his condition, the movie touches on themes of family, passion and sorrow. The playful orchestral soundtrack and vibrant sensory description of mingling scents make this short film a delight to watch. As Pedro’s health and sense begin to decline, we are only left to wonder how it feels to have your passion and life’s work ripped away from you. The plot is minimal, but the message is clear: Our bodies can betray us in the worst of ways.
“Champion” follows Jano, a teenage runner who is being pushed to train — often beyond his limit — by his parents who dream of him winning championships. The film grapples with the pressure to succeed and the anxiety that comes with it, which drives the characters in the film to act in unexpected ways. Considering our high-achieving student culture here at Rice, which sets lofty expectations on students to excel, this movie resonated with the reality of higher education. “Champion” poignantly displays the dangers of being pushed past your limits, and how it can affect your sanity.
“Ben DeSoto: For Art’s Sake” provides an in-depth look at the career of Houston photographer Ben DeSoto which spanned from the late 1970s to 2016 and his groundbreaking work at the Houston Post and Houston Chronicle. DeSoto was a leader in capturing Houston’s punk music scene, and later went on to document several major music tours as well as the now-famous rap/hip-hop culture that emerged locally in the 1980s and 90s. Although we can’t go to any concerts now, the pictures in this film revive key aspects of the live performance experience, like the performers’ raw emotions and experiencing music in motion.
More from The Rice Thresher
Fans got their first taste of Taylor Swift’s re-recorded album, “Fearless (Taylor’s Version),” when a snippet of “Love Story” was used in Ryan Reynolds’ Tinder commercial last December. The full album was released on April 9 and includes remastered versions of every song from the platinum edition of Swift’s 2008 album, “Fearless,” along with six unreleased songs “from the vault” that were cut from the original project. The re-release is largely unchanged from the original in terms of her familiar vocals on fan-favorite singles like “You Belong With Me.” Still, the album epitomizes the singer-songwriter’s artistic growth over the past decade and serves as the first step to Swift regaining ownership of her music, making “Fearless (Taylor’s Version)” a worthwhile listen for returning fans and new listeners alike.
As the close of the semester approaches, KTRU wants to help end the academic year on a high note. KTRU’s annual Outdoor Show will round out the end of the semester — albeit in a different format than what we have seen in years past. On April 24 from 12 p.m. to 10 p.m., the Rice community will have the chance to gather in the central quad — distanced and masked — for what Katelyn Landry, this year’s organizer for ODS, called a “mini music and art festival.” This year’s show will consist of screenings and livestreams of artists’ pre-recorded sets, an art installation, Houston food trucks on sight and an opportunity for the Rice community to connect with each other through music and art whether in-person or virtually.