Rice University’s Student Newspaper — Since 1916

Friday, April 19, 2024 — Houston, TX

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Visit Houston's Hidden Secrets: Oddities in the Bayou City!

(09/09/20 2:15am)

After I submitted my college applications as a senior in high school, an odd sensation overcame me. I felt glad and freed, of course, but I also felt a little pit in my stomach as I realized that the schoolwork I’d dedicated the last three and a half years of my life to no longer mattered. I grieved for what I had just lost. Starting this school year isolated in an off-campus apartment, I feel a similar void. My priorities are changing, my mind is reorienting. As R.O. Kwon explains in a phenomenal New York Times piece, the pandemic is a constant state of grieving, wishing for what could have, should have been. 




The Thresher’s playlist for your quarantine-induced existential dread

(03/25/20 1:46am)

I talk about Spotify playlists on my resume, on my Tinder bio and in almost every human interaction I have. I’m pretty sure I ran into my Thresher section editor at a party and talked about Spotify playlists. So now I, ever the humanitarian, have emerged from my socially isolated attic room to bless the masses with my quarantine playlist. And you get it without having to swipe right on a black and white video of me playing The 1975 on guitar!


Predicting the 2020 Grammys: Winners, losers and snubs

(01/22/20 3:49am)

It’s that time of the year! Houston continues to deny us a winter and the Grammy Awards continue to deny any representation to rap music! Even as I gripe to my friends about snubs of my favorite artists, I will still inevitably tune into the 62nd Annual Grammy Awards this Sunday, Jan. 26 to watch bizarrely matched performances; the odds of an Ariana Grande/Aerosmith collaboration are terrifyingly high. In light of my obsession and criticism of the Grammys, I name the least expected nominations, biggest snubs, who I think should win and who I predict will actually win in the “Big Four” categories: Song of the Year, Record of the Year, Album of the Year and Best New Artist.



“Charli” Embraces Its Creator’s Contradictions

(09/25/19 2:14am)

After a few melancholic arpeggios on album opener “Next Level Charli,” Charli XCX delivers the album thesis over increasingly intense instrumentation: “I go hard, I go fast / I never look back.” When “Charli” sticks by this aggressively futuristic promise, it thrives as another incredible installment in a discography that has recently been pushing, as of late, the definition of pop music.