Naomi Pringle |
April 17, 2018
So you’ve lost a bet and now have to eat an entire box of Milk-Bones before you graduate.
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Naomi Wentz |
April 17, 2018
Now on his debut EP, Melvv first came to my attention two years ago through his remix of Alison Wonderland’s “Back It Up.” It perfectly captured the loud, punchy future bass sound that I crave so much.
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Christina Tan |
April 11, 2018
The normally empty Central Quad will come alive during KTRU’s 27th annual Outdoor Show by local and student music performances, interactive art projections and food trucks. In line with the radio station’s eclectic streak, the outdoor show will feature ...
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Simona Matovic |
April 11, 2018
The album is reminiscent of a botched art project with buzzwords scribbled across it at the last minute — it’s like he’s trying to mislead the audience into believing they’re missing a deeper meaning.
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Maddie Flavin |
April 11, 2018
Jason Clarke uses his criminally underrated acting chops to emphasize Ted Kennedy’s deeply flawed personality whilst ensuring the viewer somewhat understands the senator’s inner struggles.
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Maddie Flavin |
April 4, 2018
An engrossing throwback to the adventurous way Spielberg made movies back in his heyday, “Ready Player One” is a virtual universe you won’t mind losing yourself in.
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Michael VerMeulen |
April 4, 2018
Anderson returns to animation with “Isle of Dogs,” another wonderful showcase of his seemingly limitless imagination.
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Naomi Wentz |
April 3, 2018
If he keeps tapping into his Swedish roots and letting artists like Petit Biscuit and ODESZA guide his sound, then he may earn a place among other “chillwave” greats.
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Christina Tan |
March 28, 2018
This weekend, the inaugural In Bloom Music Festival kicked off in Eleanor Tinsley Park with headliners such as Beck, Incubus and Martin Garrix. The festival featured four stages spread out in Eleanor Tinsley Park, with highways overhead, the skyline ...
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Lenna Mendoza |
March 28, 2018
Released earlier this month, “White is Relic/Irrealis Mood,” is of Montreal’s 15th studio album, and while it certainly isn’t stale, it isn’t exactly good.
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Xinyu Chen |
March 28, 2018
A visitor looks on at the work of Houston-based video and performance artist Yue Nakayama during her Sunday opening at Matchbox Gallery.
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Christina Tan |
March 21, 2018
Best and worst of, music reviews, film reviews, and student perspectives
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Maddie Flavin |
March 21, 2018
Where Aptaker and Berger really knock it out of the ballpark is with their ability to portray the growing pains of finding one’s identity as a young person.
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Maddie Flavin |
March 21, 2018
Finley's screenplay uses a backdrop of high society and restless adolescence to ask if emotional attachment has value in a cold, calculating world.
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Naomi Wentz |
March 21, 2018
The album makes What So Not’s work more accessible to “beginner audiences” and cements the Australian producer’s place in electronic music.
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Walden Pemantle |
March 21, 2018
Missing out on the enormous array of cocktail bars, ice houses and dives that make up Houston’s bar scene would be a real shame, and for those willing to hunt, a number of excellent bars nearby offer happy hours cheap enough to stay within your beer ...
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Amelia Calautti |
March 7, 2018
I’ll never forget my New York roots, but I can justly say that the South has shaped me in ways that New York could never have. From how I dress to how I talk, here are some of the ways I assimilated to my new Southern life.
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Simona Matovic |
March 6, 2018
Rock isn’t provocative for the sake of being provocative — he wants the audience to question what the ridiculousness of the role reversal means about society.
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Naomi Wentz |
March 6, 2018
“Death to Genres, Vol. 3” features a lot of collaborations with some pretty noteworthy electronic artists but these do not produce the dynamic music that they had the potential to.
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