A human figure emerges from the lofty curves of marble. A measured gleam coats an aura of impenetrability, leaving no signs of distress or rapture in its carefully polished expression. Tenderly couched between the arches of its body lies a sphere, a central motif in Deredia’s oeuvre.
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Darren Aronofsky's new film is an ambitious apologue that willingly exchanges perfection for cinematic extravagance.